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Naomi Lewin

WQXR Host

Naomi Lewin is the weekday afternoon host on WQXR, and host of the weekly podcast Conducting Business. Before arriving at WQXR, Lewin was the midday host at WGUC, Cincinnati’s classical public radio station. In Cincinnati, she began writing and hosting the award-winning, weekly program Classics for Kids, which now airs on radio stations across the country. Lewin has produced feature stories and full-length music programs for national broadcast, as well as intermission features for Metropolitan Opera broadcasts. She has also served as an essayist for NPR’s Weekend Edition Sunday.

Given her previous lifetime as a singer and actress, Lewin continues to appear onstage. As a narrator, she has performed Peter and the Wolf, Carnival of the Animals, King David, William Walton's Façade, Eric McIntyre’s A Visit from the White Rabbit and Four Seasons of Italian Futurist Cuisine by Aaron Jay Kernis. She has given talks on operas from Aida to Zauberflöte, and has also written and performed her own opera introduction for children.

Lewin was born in Princeton, New Jersey.

Shows:

Naomi Lewin appears in the following:

What Do Orchestras Really Need in a Music Director?

Wednesday, March 04, 2015

Factors to consider include taste in repertoire, age, nationality, race, gender, fundraising skills -- and of course, musicianship.

Comments [3]

Violinists Surrender Their Prized Instruments as Prices Soar

Thursday, February 26, 2015

In the last week, two top violinists got a visit by the Repo Man. Find out what two industry watchers think is behind this.

Comments [10]

Did a Loss of People's Leisure Time Kill RadioShack?

Friday, February 13, 2015

RadioShack was once the place to get speaker wire, headphones, adapters, or even a Realistic-brand stereo system. But how times have changed.

Comments [23]

American Orchestras Grapple With Lack of Diversity

Friday, February 06, 2015

Just over four percent of their musicians are African-American and Latino and when it comes to orchestra boards and CEOs, the numbers are even starker: only one percent.

Comments [18]

Why Don’t More Classical Musicians Improvise?

Friday, January 30, 2015

Improvisation is a nearly obsolete art in classical music. But virtuosos used to improvise all the time. This week's episode features two guests who believe it should be kept alive.

Comments [12]

Study Reveals Why the Arts Must Become More Accessible

Thursday, January 22, 2015

Some 31 million American adults said they wanted to go to an arts event in the past year but chose not to. The NEA has published a study exploring a few reasons why.

Comments [32]

New Battle Lines Drawn Between Press and Arts Organizations

Wednesday, January 14, 2015

Usually, a polite discourse pervades arts journalism, but two cases underscore the tricky relationship between classical music organizations and the media that covers them.

Comments [2]

Is New York City's Diversity Reflected in its Arts Organizations?

Thursday, January 08, 2015

New York's Department of Cultural Affairs is embarking on the first comprehensive effort to measure racial and ethnic diversity at the city's museums, venues and performance groups.

Comments [9]

The Highs and Lows of 2014 in Classical Music

Wednesday, December 17, 2014

The year 2014 saw plenty of highs and lows in classical music, as we hear from music critics Anne Midgette, David Patrick Stearns and Zachary Woolfe.

Comments [5]

A Second Act for City Opera?

Thursday, December 11, 2014

There are still hoops to be jumped through, but it looks like, as Monty Python would say, New York City Opera is not dead yet.

Comments [24]

Cash Aside, Are Music Prizes Meaningful?

Thursday, December 04, 2014

How many big-money awards are given because of altruism and how many are, to put it frankly, good marketing gimmicks? Hear what two observers of the awards business have to say.

Comments [4]

How Attached Are New Yorkers to the Name Avery Fisher Hall?

Friday, November 21, 2014

With the recent announcement that Lincoln Center will release Avery Fisher Hall's naming rights, the question of brand recognition comes into sharper focus.

Comments [16]

Is Faith Required To Perform Sacred Classical Music?

Friday, November 14, 2014

Do the best performances of Bach – or of any sacred work – come from musicians who identify with their spiritual message?

Comments [31]

Dejan Lazic, Pianist Who Demanded Removal of Review, Confronts Critic

Tuesday, November 04, 2014

The pianist Dejan Lazic wants Google to remove a critical review from its search results. He explains why to the critic, Anne Midgette of the Washington Post.

Comments [12]

How Young Is Too Young to Attend Concerts?

Thursday, October 30, 2014

A recent incident in Florida caused quite a sensation on the Internet and raised questions including, what is the appropriate age for kids to start attending grown-up concerts?

Comments [41]

Vladimir Jurowski and the Art of Musical Rebellion

Thursday, October 23, 2014

Conductor Vladimir Jurowski has strong feelings about his native Russia, whether parsing the political subtexts in Soviet repertoire or addressing modern-day civil liberties.

Comments [1]

Ulster Orchestra Endured Northern Ireland's 'Troubles,' Now Battles Funding Crisis

Thursday, October 16, 2014

The Ulster Orchestra played on through the 1970s and '80s, despite bomb threats. But can it survive 2014?

Comments [4]

Basil Twist Rethinks Rite of Spring for Puppet Theater

Wednesday, October 15, 2014

"Puppetry is just the essence of bringing something to life," says Basil Twist. "It's animating the inanimate."
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Could That Disruptive Protest Actually Help You Appreciate the Music?

Thursday, October 09, 2014

Protests in the concert hall are nothing new: think of the riot-inducing premiere of Stravinsky's 'The Rite of Spring' in 1913. Sometimes they can shed light on the music.

Comments [6]

Soprano Amanda Majeski Manages Demanding Debut with Humor, Props

Saturday, October 04, 2014

Like many young sopranos, Amanda Majeski has been making her mark in the operas of Mozart. But unlike many, she's done so with a particular flair for the dramatic.
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