Airs weekdays at 10 am on Q2 Music
Say hello to Hammered!, Q2 Music's hour-long, weekday program devoted the extraordinary breadth and ever-evolving repertoire of music for keyboard. From concert grand to disklavier, synthesizer to clavichord, prepared piano to toy piano, Hammered! shares musical colors from ebony to ivory and every shade in between.
Throw a dart in New York City and you'll hit an adventurous, talented, experimental, and virtuosic pianist. Q2 Music will provide a happy home for makers and admirers of kaleidoscopic keyboard music of today, including both fresh, newly minted interpretations and revolutionary departures from tradition.
Monday, August 18, 2014
As summer days linger long and languid, join our Hammered! guest-host Lisa Moore this week for music that celebrates the physical and philosophical fundamentals of our world. Weekdays at 10 am on Q2 Music.
Monday, August 11, 2014
The inevitable has begun: Central Park cicadas have started to buzz as the twilight fireflies flash their escape, and all in time for more glistening super moon summer evenings. Enjoy the sounds of the season and join Hammered!’s summer-guest-host Lisa Moore this week for sultry summer tracks.
Monday, August 04, 2014
This week on Hammered!, join host Lisa Moore for keyboard selections from around the globe with a special focus on new music that swings in its own special kind of way. Listen mornings at 10 am.
Monday, July 28, 2014
This week on Hammered!, pianist and guest host Lisa Moore takes on the summer head-on, with some of the hottest keyboard performances around. Join her each morning for music from a diverse grab bag of 20th and 21st Century compositional voices as performed by today's leading performers.
Monday, July 21, 2014
The Hammered! Summer Swing continues this week with music that beats the heat and joins a new vortex of spiraling musical ripples. Grab your iced tea, a blueberry scone, your preferred listening device and join guest host Lisa Moore weekdays at 10 am.
Monday, July 14, 2014
This week on Hammered!, guest host Lisa Moore moves into new music for a swinging, sizzling summer in New York. She begins her exploration of music inspired by dance – music that unabashedly celebrates the pulsing beat and the power of driving energy. Listen weekdays at 10 am.
Monday, July 07, 2014
This week on Hammered! Lisa Moore continues her survey of modern piano concertos alongside a new focus on the phenomenal American new music pianist and composer David Burge (1930-2013). An indefatigable champion of 20th-century music, Burge performed from the 1950s onward on some of the world’s most renowned concert stages.
Monday, June 30, 2014
Piano concertos reached their peak in the 19th Century but today they remain “alive and well” as modern composers continue their exploration of this beloved combination of instruments – searching and exploring new ways to express a fundamental drama. Join host Lisa Moore weekday mornings at 10 am.
Monday, June 23, 2014
Piano concertos reached their peak in the 19th Century but today they remain “alive and well” as modern composers continue their exploration of this beloved combination of instruments – searching and exploring new ways to express a fundamental drama. Join host Lisa Moore weekdays at 10 am.
Monday, June 02, 2014
Summer means light, leaves and the ocean. June on Hammered! begins with an exploration of composers with Pacific Ocean roots and sensibilities, with music inspired by the Pacific rim – the “ring of fire.” Join host Lisa Moore weekdays at 10 am.
Monday, May 05, 2014
Australian pianist Lisa Moore has performed with a slew of contemporary ensembles around the world, including the London Sinfonietta, Bang on a Can All-Stars and Steve Reich Ensemble. She guest-hosts Hammered! for the month of May. Listen weekdays at 10 am.
Monday, April 28, 2014
So much of what brings a piece of music to life has to do with its performer. Although nearly all of the composers featured regularly on Hammered! benefit from excellent performer-advocates, the programmatic arch of each week is normally determined by the composer and music itself.
Monday, April 21, 2014
This week we take our aesthetic and thematic cue from Toru Takemitsu's ravishing and otherworldly Quotation of Dream for two pianos and orchestra, and spin a week's worth of piano music that skirts the line between the direct and the subliminal, the real and the dreamlike.
Monday, April 14, 2014
While there is never a lack of The New at Q2 Music, rarely has there been so much new in one week's worth of programing. This week we take our selections exclusively from recently piano releases – some featured on Q2 Music's Album Of The Week – and spin tracks from the front lines of new music.
Monday, April 07, 2014
Folk music has inspired composers throughout history. Tune in all week for music by Bela Bartok, Vivian Fung, John Zorn and more whose music is colored with styles, rhythms and forms of non-Western music.
Monday, March 31, 2014
The early modernists had Claude Debussy, the post-war György Ligeti, and the twenty-first century may very well point to the French master Pascal Dusapin as the torchbearer for reinventing the technical capabilities and sonic potential of the piano.
Tuesday, March 25, 2014
For the month of August, pianist David Friend of ensemble TRANSIT and the Bang on a Can Festival Ensemble guest hosts Hammered! Week One: Mechanical Music from John Adams, Donnacha Dennehy, Conlon Nancarrow and more.
Monday, March 17, 2014
Family ties resemble teacher-student relations in weird ways. A student's music might "resemble" a teacher's style, or sometimes try very hard to disassociate itself. This week on Hammered! we sort through the branches of four different musical family trees.
Monday, March 10, 2014
There is a deep descriptive tradition in music, a tradition that embraces art's ability to comment, observe, and depict. Join composer-pianist Conrad Tao this week to hear piano works by Claude Debussy, Michael Harrison and others that evoke colorful, multifaceted images.
Monday, March 03, 2014
Late in his life, the famed Italian pianist and composer Ferruccio Busoni felt so straightjacketed by the tonal system that he said one of the only viable method of escape was the invention of new sounds through electronic instruments.