Celebrate with WQXR

Tuesday, October 06, 2009

This first concert of the Orpheus Chamber Orchestra’s 37th season features the world premiere of Aaron Jay Kernis’ Concerto with Echoes.

WQXR inaugurates its new home at 105.9 FM with a live broadcast from Carnegie Hall of the Orpheus Chamber Orchestra. This first concert of the ensemble’s 37th season features the world premiere of Aaron Jay Kernis’ Concerto with Echoes, Stravinsky’s Dumbarton Oaks, Anton Webern’s Fuga (Ricercare) a 6 voci from Bach's Musical Offering, and Beethoven’s Violin Concerto, featuring the 36-year-old Norwegian violinist Henning Kraggerud.

Bach serves as a point of departure throughout the program. Stravinsky’s Dumbarton Oaks concerto (1938) was written as a companion piece to Bach’s Brandenburg Concertos and applies 20th century harmonies to Bachian rhythms and textures. Webern's meticulous 1935 orchestration of the six-voice fugue from Bach’s Musical Offering divides single lines among many instruments.

Aaron Jay Kernis’ Concerto with Echoes is the latest installment in the “New Brandenburgs” project, in which Orpheus is commissioning a series of works inspired by Bach's celebrated set of six concertos. The New York-based composer approximates the instrumentation of the Sixth Brandenburg Concerto and mirrors Bach’s opening passage with two spiraling solo violas, which he compares to “identical twins following each other breathlessly through a hall of mirrors”—hence the echoes of the title. The remainder of the piece progresses from a fiery, toccata-like section to a powerful passacaglia to a courtly dance-like aria.

Finally, Beethoven studied the works of Bach profoundly and frequently quoted them in his sketchbooks, which often had a direct bearing on his own music. Henning Kraggerud is the soloist in Beethoven’s Violin Concerto.

Program Details

Orpheus Chamber Orchestra

Henning Kraggerud, Violin

Stravinsky: Concerto in E-flat Major, Dumbarton Oaks

Webern: Fuga (Ricercare) a 6 voci from Bach's Musical Offering, BWV 1079

Aaron Jay Kernis: Concerto with Echoes (New York premiere)

Beethoven: Violin Concerto

About Henning Kraggerud

Norwegian violinist Henning Kraggerud has performed throughout Scandinavia and Europe with such orchestras as the St. Petersburg Philharmonic, Budapest Festival Orchestra and Deutsches Symphonie Orchester, as well as many of the principal British orchestras, including the Royal Scottish National Orchestra, Bournemouth Symphony, Royal Liverpool Philharmonic and BBC Symphony Orchestra. In North America, he has appeared with the Atlanta, Baltimore, Cincinnati, Colorado, St. Louis, Toronto and Utah symphonies and the Los Angeles Chamber Orchestra, and has performed recitals in New York, San Francisco and Washington, D.C.

In a review of his performance of the Beethoven Violin Concerto with the Cincinnati Symphony, the Cincinnati Post said, “To say that Kraggerud made music in Beethoven's Violin Concerto would be an understatement. The 32-year-old, mop-haired Norwegian, who stepped in for ailing Akiko Suwanai, performed with a stylistic command rarely heard at Music Hall. It is a safe prediction that he will soon be knocking on the door of stardom, not only for his daunting virtuosity and strapping good looks, but for his distinctive artistry.”

Janine Jansen, originally scheduled to perform the Beethoven concerto with Orpheus, has withdrawn due to illness.

For more about Aaron Jay Kernis’ Concerto with Echoes, please click here

Comments [15]

Sergio

Hola, me encanta esta idea que teneis como orquesta. Llevo relativamente poco tiempo interesandome por la música clasica, aquí en mi ciudad y por no decir en mi país, hay poco interés por la musica clásica , por no decir casi inexistente, poca gente se para a deleitarse con la brillantez de la musica clasica, como cada instrumento se muestra, crece, se libera, expresa sus sentimiento, camina, se enorgullece... En fin llevo mucho tiempo con la idea en la cabeza, que sería maravilloso encontrar una orquesta que se libre de la "tiranía" del director, que sean libres, que no estén dirigidas y expresen la "vida" de una forma totalmente libre y creadora, es fantástico.

May. 18 2010 11:09 AM
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Joseph Matthews from Rockville, Maryland

When I was in high school I worked in the biology prep area as part of my high school voluntary service. The person in charge would always listen to WQXR and this was my initial introduction to classical music. Later, I would visit central park and listen to the free outdoor concerts during the summer. I remember listening to Lloyd Moss and Duncan Purnee's(?sp.) "Cocktail Hour" every Friday afternoon. I'm glad that I started listened to WQXR during that time and I continue listening on-line whenever possible.

Mar. 19 2010 10:45 AM
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Francesca Tambasco from Brooklyn, New York

I grew up listening to WXQR and would like to express my opinion. My dad was a dedicated listener for many years but as the many years that have gone by there has been many changes in which I did not like for instance the way they unfairly got rid of Greg Whiteside who was a wonderful annoucer , and to me the greatest of all announcer was Mr. George Edwards , who is no longer with us , from what information I read that you got rid of him because he was at a retirement age that is terrible, well I can go on and on so let me finish by saying that I still listen to your station but with reservation. Some of the music you air to me is not considered classical music such as Mr. Aaron Copland and also some of the music sounds like someone is going crazy . Please focus on the greater composer such as Beethoven who to me is the greatest of all composer and also down the line is Mozart, Mendelson, Schubert etc.

Feb. 23 2010 11:16 AM
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PHILIP from Manhattan/Chelsea

I thought WQXR had just evaporated into dust and sparkles...only to find it had been transported to another scale on the dial...I am so glad, I do need my daily fix of fantabulous classical classics!

Jan. 19 2010 12:13 AM
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Phyllis Herman from New York City

Kitchen radio has to be positioned towards the window atop the cereal cannister.
Bathroom radio has to be balanced on the hand-towel bar. Bedroom radio has to be positioned so that the speakers are turned away from me.

That aside, I'm so happy WQXR is alive and well. Thank you from a supporter.

Nov. 25 2009 11:27 AM
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For more about why WQXR changed frequencies, see this article from WNYC: http://www.wnyc.org/music/articles/142169

Nov. 03 2009 04:25 PM
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Martha

Why in the world did you change frequencies? Not a change for the better. I miss the news at the top of the hour .

Nov. 03 2009 03:42 PM
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J. Enrique Ibarra from Flushing, NY. 11354

WQXR has been my company since I came to New York, without being able to speak English. I did not need language for the music. I have more questions than you want to answer, for sure. Why the interchange of frequencies? Was it necessary? Could not 96.3 be kept? I miss some of the best speakers, like J. Moreno, B. Jerome, C. Agree and others? Is it a way know where are they? I feel like my station has the name, but nothing is the same. Did the library of music changed hands?

Oct. 20 2009 08:20 PM
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Rena Wirth from Carmel, NY 10512

I am heartbroken; have been listening to WQXR for more years than I can remember. I'm 87 years old now. Don't like listening to music on the computer.
Have no reception at all here in the Hudson Valley. We are too far away from the Empire State Bldg. here . This is a great disappointment to us Seniors who spend a lot of time at home.

Oct. 17 2009 03:36 PM
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Anne Hastings

why is Kevin Gordon not listed or even mentioned on your website when he apparently is going to be on afternoons for several weeks?

Oct. 16 2009 03:02 PM
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Diana from New Rochelle, NY

What happened to Nimet. She has been the host of music overnight for many, many years.

She is not listed on the new lineup with wnyc as the parent co.

Has Nimet retired or was she let go by wnyc?

Please advise us long time fans.

Oct. 15 2009 09:04 PM
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Louis Halk from Oradell, NJ

There seened to be no transparency in WNYC"s take over of WQXR. Listeners knew changes were coming but were in no way involved. Now all we can do is hope for the best but we must wonder why it had to happen this way.

Oct. 12 2009 09:49 PM
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Bertram P Goltz Jr from Clifton, NJ

I am as old as the now-ended New York Times sixty-five year ownership of WQXR. One of my cherished memories from not only long ago, but recently also, is tuning in at 8 PM to hear the chimes of Symphony Hall (and, as 9 PM approached, the closing theme: the second movement of Beethoven's Second Symphony). I tuned in just now specifically to see if the chimes of Symphony Hall with the introduction by, I think, old-time WQXR announcer Peter Allen were still there. But, as I suspected, they were not.

How come? We WQXR listeners cherish our traditions. What's the harm in maintaining them? I fear that you are already succumbing to the temptation of remaking WQXR according to your own likes rather than maintaining it as we the listeners like. If so, don't expect much from listener-sponsorship.

Oct. 09 2009 08:38 PM
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arnold j. smith from brooklyn

great switch over. loved the Hispanic-to-classical. i would relish a download. will such be available? i too went to sleep (sic) w/Nimet for years; Sam Hall is a State St. Bklyn neighbor and Jeff Spurgeon was a teaching colleague in Rockaway of a cousin. there's history here. tnx.

- ajs

Oct. 09 2009 02:19 PM
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Judy Foester from West Milford, NJ

Oh, thank God. I tuned in to 96.3 and found salsa/rap......Aagh! I was going to do the food shopping but turned suicidal and had to run home and check out WQXR on the computer. I am so relieved. I must change that setting on the car radio.

Oct. 09 2009 12:45 PM
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