Monday, November 19, 2012
Like an only slightly lower-strung version of Carl Stalling's Looney Toons scores, Derek Bermel's music often changes its mind halfway through a phrase, doubles back and becomes something completely different.
Monday, November 12, 2012
If you thought the San Francisco Symphony's promotion of American "maverick" composers has gotten tiresome, this collection of Cowell, Varèse, Harrison and Cage may make you reconsider.
Monday, November 05, 2012
Listeners familiar with the music of Missy Mazzoli are unlikely to be shocked by her latest CD, Song from the Uproar: The Lives and Deaths of Isabelle Eberhardt, which suggests the gentle, queasy motion of an ocean liner.
Monday, October 29, 2012
The word “maverick” is overused in the contemporary music world. But in the case of composer Michael Harrison and cellist Maya Beiser, the descriptor is deserved.
Monday, October 22, 2012
The a cappella octet Roomful of Teeth have trained in non-Western traditions and have collaborated with several fashionable composers. Hear the results on their debut album.
Monday, October 15, 2012
Cellist Jakob Kullberg and the New Music Orchestra present cello concertos by Saariaho, Norgard and Nordheim.
Monday, October 08, 2012
A new recording of Imogen Holst’s choral works provides a valuable introduction to an area of the musician's life that has until now been woefully neglected.
Monday, October 01, 2012
The prominent new music sextet called eighth blackbird performs music by Stephen Hartke, Thomas Ades, John Adams and Missy Mazzoli, featuring instruments like the flexatone and harmonica.
Monday, September 24, 2012
Sigurðsson’s latest release, "Architecture of Loss" was conceived as an accompaniment to choreographer Stephen Petronio’s ballet of the same name. The album is at once cinematic and intimate, alternating moments of textural ambiance and intense lyricism.
Monday, September 17, 2012
The music on this disc, by a range of rising young composers, is nothing short of gripping from the first note to the last, and it's thanks largely to the intense focus of these highly individual musicians.
Monday, September 10, 2012
This live 1984 recording of Glass's Einstein is nothing close to complete. However, it's a (smartly) edited 77-minute highlight reel from the opera, paired with a DVD of the documentary produced during the same run.
Monday, September 03, 2012
Philip Glass began composing for organ early in his career, and in a way, he never really stopped: His orchestration bears a resemblance to the tradition of Bruckner or Franck, treating the sections of the orchestra like the stops on an organ.
Friday, August 24, 2012
While somewhat overwhelming to stomach in a single listen, pianist Joshua Pierce's “John Cage: A Tribute” is one of the most powerful and listenable cross-sections of Cage’s work to date.
Monday, August 20, 2012
As the circumstances of composer Viktor Ullmann's life became more brutal, his music only became lovelier, more polished, and more playful this new recording indicates.
Monday, August 13, 2012
Seth Colter Walls reviews Cornelius Dufallo's release Journaling for Q2 Music. Stream the whole record in our online preview all week.
Monday, August 06, 2012
Listen to the new all-Pärt disc by Estonia's Voces Musicales all this week. Selections range from Sol LeWitt–like spareness of Summa to the sweetness and pathos of Magnificat to the darker, denser textures of the title track.
Monday, July 30, 2012
The final entry of pianist Lisa Moore’s three-part EP series may be its most listenable. Featuring the music of Donnacha Dennehy, it offers Moore the opportunity to display every angle of her versatile chops.
Friday, July 20, 2012
The Lapland Chamber Orchestra presents three never-before recorded works by the Danish composer that seemingly serve as sonic landscape paintings of Holmboe's northern home.
Monday, July 16, 2012
Our album of the week by Ukranian pianist Sasha Grynyuk pairs works by two of the great keyboard eccentrics of the last century, Friedrich Gulda and Glenn Gould. Stream it in full this week only.
Monday, July 09, 2012
In December 2000, Michael Nyman ventured to India for one month as part of an attempt to bridge the gap between Western and Indian classical traditions.