Monday, January 14, 2013
Esa-Pekka Salonen’s affection for the modern composer Witold Lutosławski has long been evident. Now the Finnish conductor has recorded a complete set of the Polish icon's four symphonies. Stream them on demand this week only.
Monday, January 07, 2013
The Boston Modern Orchestra Project devotes its latest – and 24th – recording in just five years to the music of New York composer Paul Moravec. Stream the entire album this week only.
Monday, December 31, 2012
Monday, December 24, 2012
Stephen Drury's Callithumpian Consort, pipa star Wu Man and the Shanghai Quartet make a powerful case for Lei Liang, a composer whose music marries features of the European avant-garde to his Chinese heritage.
Friday, December 14, 2012
Oliver Knussen’s recently released album of eight short works that have never been recorded before is swathed in the cadences of memorial and elegy. Stream the entire album in full for this week only.
Monday, December 10, 2012
"New Music Show" features the talents of five British-based composers with backgrounds as disparate as the London club scene, noise rock and installation art as well as so-called classical music.
Monday, December 03, 2012
Cold Blue Two presents 14 distinctive ways to make clear, "pretty" music, by composers including Harry Partch, John Luther Adams, Ingram Marshall and others.
Monday, November 26, 2012
Composer Laurie Spiegel had something like a career year in 2012, at least so far as attention goes. Stream for this week only the reissue of her classic 1980 album, "The Expanding Universe."
Monday, November 19, 2012
Like an only slightly lower-strung version of Carl Stalling's Looney Toons scores, Derek Bermel's music often changes its mind halfway through a phrase, doubles back and becomes something completely different.
Monday, November 12, 2012
If you thought the San Francisco Symphony's promotion of American "maverick" composers has gotten tiresome, this collection of Cowell, Varèse, Harrison and Cage may make you reconsider.
Monday, November 05, 2012
Listeners familiar with the music of Missy Mazzoli are unlikely to be shocked by her latest CD, Song from the Uproar: The Lives and Deaths of Isabelle Eberhardt, which suggests the gentle, queasy motion of an ocean liner.
Monday, October 29, 2012
The word “maverick” is overused in the contemporary music world. But in the case of composer Michael Harrison and cellist Maya Beiser, the descriptor is deserved.
Monday, October 22, 2012
The a cappella octet Roomful of Teeth have trained in non-Western traditions and have collaborated with several fashionable composers. Hear the results on their debut album.
Monday, October 15, 2012
Cellist Jakob Kullberg and the New Music Orchestra present cello concertos by Saariaho, Norgard and Nordheim.
Monday, October 08, 2012
A new recording of Imogen Holst’s choral works provides a valuable introduction to an area of the musician's life that has until now been woefully neglected.
Monday, October 01, 2012
The prominent new music sextet called eighth blackbird performs music by Stephen Hartke, Thomas Ades, John Adams and Missy Mazzoli, featuring instruments like the flexatone and harmonica.
Monday, September 24, 2012
Sigurðsson’s latest release, "Architecture of Loss" was conceived as an accompaniment to choreographer Stephen Petronio’s ballet of the same name. The album is at once cinematic and intimate, alternating moments of textural ambiance and intense lyricism.
Monday, September 17, 2012
The music on this disc, by a range of rising young composers, is nothing short of gripping from the first note to the last, and it's thanks largely to the intense focus of these highly individual musicians.
Monday, September 10, 2012
This live 1984 recording of Glass's Einstein is nothing close to complete. However, it's a (smartly) edited 77-minute highlight reel from the opera, paired with a DVD of the documentary produced during the same run.
Monday, September 03, 2012
Philip Glass began composing for organ early in his career, and in a way, he never really stopped: His orchestration bears a resemblance to the tradition of Bruckner or Franck, treating the sections of the orchestra like the stops on an organ.