Tuesday, June 14, 2011
Monday, June 13, 2011
Sunday, June 12, 2011
Though New Yorkers will unfortunately have to wait until the Met Opera's 2013-2014 season to see a local production of Tony Award-winner Bartlett Sher's staging of Nico Muhly's first opera, Two Boys (premiering in late June at the English National Opera), it seems like we're now more than ever bombarded with the dark and lurid issues that this complex, cautionary tale raises.
Wednesday, May 18, 2011
Q2 is listener-supported. Passionate about this great service and want to take a stand in support of new music? Become a Q2 listener-supporter and make a contribution to New York Public Radio today. And tell us why you listen to Q2. What is it about Q2 that gets your attention? What's valuable to you about Q2? Here are some highlights of our inaugural year.
Saturday, May 14, 2011
The symphony has undergone such transformation since it first emerged as a conventional form hundreds of years ago. Concluding Carnegie Hall's Spring for Music festival, Kent Nagano and the Montréal Symphony Orchestra explore the evolution of the symphony beginning with Giovanni Gabrieli's Sacrae Symphoniae for Brass and finishing with Anton Webern's Symphony, Op. 21. This evening, May 14 from 5 to 8pm, Q2 responds with our own take on this large-scale form as it has transformed into the twenty-first century.
Friday, May 13, 2011
This evening, Friday May 13 from 5 to 8 pm, Q2 continues work in tandem with WQXR's Spring for Music broadcast of the St. Paul Chamber Orchestra's performance with soprano, Dawn Upshaw. In addition to her role as a pedagogue and her career longevity as a singer, we draw inspiration from Upshaw's reputation for forging longstanding relationships with composers who have used her unique voice as their muse.
Thursday, May 12, 2011
Artists have often used their art as a means of making sense of the horrors of war and taking a political stance: from Salvador Dalí's painting Face of War to Kryzstof Penderecki's string orchestra work Threnody for the Victims of Hiroshima. On May 12 as part of Carnegie Hall's Spring for Music Festival, the Oregon Symphony takes the stage and presents a program titled Music for a Time of War featuring cornerstone works by John Adams, Charles Ives, Benjamin Britten and Ralph Vaughn Williams.
Wednesday, May 11, 2011
Carnegie Hall's Spring for Music festival is designed to allow orchestras to flex their creative programming muscles and provide an outlet to think outside of the overture-concerto-symphony box. On May 11, the Dallas Symphony Orchestra performs Steven Stucky's August, 1964 in their Carnegie Hall debut.
Monday, May 09, 2011
Q2 continues to celebrate Carnegie Hall's Spring for Music Festival with this May 10 program from 5 to 8pm featuring the faculty of the Bard College Conservatory. Though New York City is home to some of the most prestigious American music schools, one should never overlook the fact that a mere one-hundred miles north, in tranquil Annandale-on-Hudson, is a school whose star-studded faculty list includes the likes of Dawn Upshaw, So Percussion, George Tsontakis, Jeremy Denk, David Krakauer, Joan Tower and members of the Guarneri Quartet.
Saturday, May 07, 2011
Friday, May 06, 2011
Monday, April 18, 2011
As part of our deep dive into the music of English composer Gavin Bryars, we offer on-demand insight and commentary on numerous pieces from the composer himself. Hear the exclusive introductions throughout Never Failed Me Yet followed by the related pieces or listen to the unabridged versions of the composer's commentary in our permanent archive below.
Sunday, April 17, 2011
Saturday, April 16, 2011
Enjoy a collection of photographs provided by the composer himself of recent live performances, longtime collaborators and even members of the Bryars family - performers in their own right.
Friday, April 15, 2011
While filming material for a 1971 documentary by Gavin Bryars’s friend Alan Power focused on people living in impoverished areas in London, the filmmaker crossed paths with a singing vagrant who offered an improvised and affecting profession of faith with the words "Jesus' blood never failed me yet..."