After Shaking Up Tchaikovsky Competition, Gergiev Brings Winner to Carnegie Hall

Saturday, October 08, 2011

When conductor Valery Gergiev became chairman of the International Tchaikovsky Competition last year he promised to clean house, ridding it of its historic corruption and favoritism.

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Supreme Court Invokes Copland, Hendrix in Copyright Case

Thursday, October 06, 2011

Justice Ruth Bader Ginsburg invoked Aaron Copland. The chief justice countered with Jimi Hendrix.

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When Belts Are Tightened (Part Two): Opera Productions Worth Saving

Thursday, October 06, 2011

When an opera company takes a beloved old production and replaces it with something new and potentially controversial, audiences become alarmed. Blogger Fred Plotkin considers the keepers at the Met.

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How Steve Jobs Changed the Course of Classical Recordings

Wednesday, October 05, 2011

Though he died at the relatively young age of 56, Apple co-founder and former CEO Steve Jobs has left a legacy that changed the shape of the music industry.

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Nine Saints in One Act

Wednesday, October 05, 2011

Operavore blogger Olivia Giovetti talks with Robert Sirota about the New York premiere Holy Women, offering a lexicon of the nine saints represented in his cantata.

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The Top 10 Politically-Charged American Operas

Monday, October 03, 2011

American opera already has enough provocative subject matter to make Giuseppe Verdi green with envy. Read on for blogger Olivia Giovetti's picks for the most politically-charged American operas.

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Stormy Weather Strikes a Chord With Composers

Monday, October 03, 2011

Bring on the rain, wind and dark clouds. The gloomy weather we've experienced recently may not be good for the soul but a new study suggests that it's great for composers.

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When Belts Are Tightened (Part One): Keeping Opera Vibrant in Tough Times

Monday, October 03, 2011

Even during these tough economic times, the Metropolitan Opera has been charging forth with ambitious projects in the belief that this energy and visibility will keep opera consequential. Blogger Fred Plotkin considers the costs versus benefits.

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With 'One Sweet Morning,' Corigliano Finally Writes His 9/11 Piece

Thursday, September 29, 2011

When Alan Gilbert asked John Corigliano to write a large-scale commemoration of the tenth anniversary of 9/11, the composer realized he didn’t want the piece to depict the actual event. He had a novel solution.

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Rough Sailing at Bargemusic as City Orders Shutdown

Thursday, September 29, 2011

Oct. 1 Update: Bargemusic reopened on Friday night with a performance by the Weilerstein Trio. In a post on Facebook, director Mark Peskanov wrote, "The music sounded especially good tonight at Bargemusic after being shut down for the last two and half days." Further details to come.

Bargemusic, the floating concert hall moored on the Brooklyn side of the East River, abruptly shut down on Wednesday after an official with the Fire Department found problems with the hall’s emergency exit.

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The Top 10 Politically-Charged Moments in Verdi's Operas

Thursday, September 29, 2011

Murder... Vengeance... Religious Strife: Giuseppe Verdi had something for everyone. With Nabucco underway at the Metropolitan Opera, blogger Olivia Giovetti examines the political side of the composer.

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Nirvana's 'Nevermind' Orchestrated

Thursday, September 29, 2011

A number of classical performers have embraced the music of Nirvana, particularly during this, the 20th anniversary month of their groundbreaking album "Nevermind."

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Opening Notes

Wednesday, September 28, 2011

After the Met's opening night gala, blogger Fred Plotkin considers a cast that was more Moscow than Manhattan, some concerns about Italian singing and house traditions both bygone and emerging.

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UK Professor 'Reconstructs' Lost Beethoven Piece

Tuesday, September 27, 2011

A composition by Beethoven that was discarded and unheard for over 200 years has been reconstructed, a British university said Wednesday.

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Anna Netrebko Sets a Royal Standard as 'Anna Bolena'

Tuesday, September 27, 2011

Operavore blogger Olivia Giovetti reviews the Metropolitan Opera's opening night—and company premiere—production of Anna Bolena, perhaps the company's riskiest opening night gamble since Peter Gelb took over.

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Colorado Symphony Musicians Agree to Pay Cuts While Board Flees

Monday, September 26, 2011

On Friday the Colorado Symphony musicians voted to accept emergency cuts of nine percent – but not before two thirds of the orchestra’s board of directors resigned, apparently tired of the musicians’ unwillingness to move quickly enough.

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New York City Opera Announces Casting Details of its 2011-12 Season

Monday, September 26, 2011

New York City Opera announces the casting details for its 2011-12 season; does this mean the company is headed toward an agreement with AGMA?

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Richard Bonynge, Maestro of Bel Canto

Monday, September 26, 2011

 

"The Metropolitan Opera premiere of Donizetti’s Anna Bolena is a cause for celebration and reflection for those of us with long memories," writes Fred Plotkin. And at least one advocate of bel canto opera deserves special credit for its arrival.

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The Changing Face of Parks Concerts, with Bocelli as Barometer

Monday, September 26, 2011

Earlier this month – after weeks of anticipation and an amazing amount of preparation -- 60,000 die hard fans gathered on the Great Lawn in Central Park to hear tenor Andrea Bocelli sing. There was rain off and on all day, and it was windy and cold. For some time, it wasn’t clear that the concert would actually take place.

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'Kocho': A 'Butterfly' by Any Other Name

Sunday, September 25, 2011

Blogger Olivia Giovetti reviews Kocho, a Noh-inspired opera presented by Beth Morrison Projects and featuring Seattle's Garrett Fisher Ensemble. Read on for a slideshow of this intricate multimedia work.

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