Monday, May 16, 2011
There has not been a new Mozart opera at the Met since 1984. But as WQX-Aria blogger Fred Plotkin explains, the composer's nearly forgotten gem, Mitridate, Re di Ponto, is finally getting some renewed consideration.
Friday, May 13, 2011
As the familiar chestnut goes, music is the universal language. Perhaps this is why composers are drawn to Italo Calvino’s 1972 masterwork, Invisible Cities—a novel that centers on a conversation between Marco Polo and Kublai Khan. Since the explorer and emperor do not speak the same language and are forced to communicate through gestures and faith in one another’s interpretation.
Thursday, May 12, 2011
"While I don’t find booing acceptable in a theater under any circumstances, to do it following something so extremely challenging is what Italians call maleducato," writes blogger Fred Plotkin on WQX-Aria. What do you think about booing? Does it have a place in opera?
Wednesday, May 11, 2011
As Sung Jin Hong's One World Symphony closes its tenth anniversary season with an abridged version of Tristan und Isolde, WQX-Aria blogger Olivia Giovetti ponders the successes of smaller opera companies against the financial and operational woes of larger organizations.
Tuesday, May 10, 2011
Two of the Met's current conductors, Marco Armiliato and Fabio Luisi, hail from Genoa, Italy. On WQX-Aria, blogger Fred Plotkin considers the cultural riches of that city and its contributions to the history of opera -- from Scotto to Verdi.
Wednesday, May 04, 2011
Ever since moving to New York City for graduate school, I have tried to attend as many concerts as possible at Carnegie Hall. I can say without a New Yorker's bias that every event I have seen there has been inspiring -- from Brahms symphonies performed by the Berlin Philharmonic, to Ravel's Gaspard played by Jean-Yves Thibaudet, to new songs written and performed by Brad Mehldau and Renée Fleming, to my own father playing with the China Philharmonic on tour. But nothing was comparable to a recital I heard last week. This time, I sat on stage, merely fifteen feet away, in a recital by violist Yuri Bashmet and pianist Evgeny Kissin.
Monday, May 02, 2011
Editor's Note: On Tuesday Riccardo Muti won Spain's Asturias Arts Award.
Earlier this month, I heard two of the Chicago Symphony programs that Riccardo Muti conducted in Carnegie Hall – the concert performance of Verdi’s opera Otello, and the concert that included Shostakovich’s Symphony No. 5. Both were extraordinary examples of music-making, which left me wondering: Why is this conductor different from all other conductors? I put that question to a former cellist from the Bavarian Radio Symphony Orchestra, who happened to be sitting next to me at the first concert. His answer was, “Only one thousand and two hundred different ways, but it’s impossible to put into words.”
Sunday, May 01, 2011
With the Philadelphia Orchestra docking at Carnegie Hall this week to perform Stravinsky's Oedipus Rex, WQX-Aria blogger Olivia Giovetti considers some discrepancies in Sophocles's tragedy—and the orchestra's financial situation.
Friday, April 29, 2011
Last week, the International Contemporary Ensemble was slated to perform at the Southern Theater in Minneapolis. But then the cash-strapped theater canceled the remainder of its season. The program was instead released as a videocast, available here.
Thursday, April 28, 2011
Anita Välkki (October 25, 1926-April 27, 2011) has just died and I realize that most people have no idea who she was. This is strange, because she was a major artist, certainly behind Birgit, Leonie and perhaps Astrid Varnay (1918-2006), but nonetheless one of a very small group.