Monday, February 25, 2013
"For all its musical clarity Sunday at BAM, Britten's opera failed to take possession (at least of me) in a way that it truly can," writes Operavore's David Patrick Stearns.
Tuesday, February 19, 2013
"The production isn’t for everybody, but so handsomely filled this five-hour-plus opera," writes David Patrick Stearns.
Monday, February 18, 2013
Among the many historical tidbits that Steven Spielberg includes in his Oscar-nominated film "Lincoln," the president’s love of opera may be the most surprising.
Saturday, February 16, 2013
This visually busy Jay Scheib production addressed many of the problems in this woozy, dreamy portrayal of the Duchess of Argyll.
Friday, February 15, 2013
Puppets and dolls have, since antiquity, served as surrogates for humans in religious and secular celebrations. Fred Plotkin considers the work of Hendrik Bonneur, who uses puppets in opera.
Wednesday, February 13, 2013
A particular characteristic of life in Amsterdam is the nearly untranslatable and unpronounceable word gezellig. It applies to many aspects of life and music in the Dutch city, writes Fred Plotkin.
Wednesday, January 30, 2013
"On January 25, at the Juilliard School, Joyce DiDonato gave a master class on how to give a master class," writes Fred Plotkin.
Tuesday, January 29, 2013
"As much as the opening scene's intentionally vulgar casino-style neon lights were greeted with stunned silence, the final curtain response suggested that it's a hit," writes David Patrick Stearns.
Thursday, January 24, 2013
A new exhibition at the Morgan Library & Museum and the premiere of a work by Kate Soper remind us of the abiding importance of the Orpheus myth.
Tuesday, January 22, 2013
"Quartet," a new film directed by Dustin Hoffman, "is a bit too pat and contrived in its conflation of opera and the rigors of old age," writes Fred Plotkin. But he commends it despite its limitations.