Tuesday, June 14, 2011
On WQX-Aria, blogger Fred Plotkin claims a special feeling for the mezzo-soprano voices. "There is a warmth and sensuality to middle range voices (including the baritone) that exerts a special appeal." Alaska-born mezzo Vivica Genaux is in a case in point.
Tuesday, June 14, 2011
With the disappearance of Lincoln Center's Barnes & Noble, the Metropolitan Opera Shop is quickly becoming the only game in town for classical and opera CDs. One problem, as WQX-Aria blogger Olivia Giovetti notes: They have dramatically cut back on selling CDs.
Monday, June 13, 2011
From Salzburg, Fred Plotkin reports on a revival of I Due Figaro, a forgotten operatic tale of Figaro, the character famously popularized by Mozart and Rossini. This one, however, comes via "a production without imagination."
Tuesday, June 07, 2011
To be a great maestro, less is more, writes Fred Plotkin on WQX-Aria. "The best conductors sort out almost all of the stylistic and musical issues in rehearsal, leaving themselves and musicians free to just play and breathe spontaneously."
Saturday, June 04, 2011
Experiencing the Met's radio broadcasts is no longer an ephemeral experience, writes blogger Fred Plotkin on WQX-Aria. The Met, along with Sony, has begun to take some jewels out of the vault, including recordings of Mozart, Beethoven and Wagner operas.
Thursday, June 02, 2011
At the moment, there are few top Italian female singers known to international audiences, writes Fred Plotkin on WQX-Aria. But two getting fresh attention and are well worth hearing: Anna Caterina Antonacci and Daniela Barcellona.
Thursday, May 26, 2011
"There are still great voices today, but they might reside in bodies that look more like those of the average person rather than an operatic Angelina Jolie or Brad Pitt," writes blogger Fred Plotkin. "I have seen many pretty or handsome singers who bore me silly."
Wednesday, May 25, 2011
With her inaugural season at the helm of the Glimmerglass Festival less than six weeks away, director Francesca Zambello has been appointed artistic adviser to the Washington National Opera.
Monday, May 23, 2011
In my post about operatic Genoa, I made passing reference to the grattacielo (skyscraper) there that contained a 1000-seat cinema where opera was presented from after World War II until 1992. Among the many artists who sang there were Renata Tebaldi and Maria Callas. This building is usually called the first skyscraper in Italy, a nation that still has very few buildings that merit this designation. This one, and the Pirelli Tower in Milan, are my favorites.
Saturday, May 21, 2011
All of this talk of rapture and apocalypse has reminded blogger Fred Plotkin of what is known in German opera as the Schlussszene: a great dramatic closing scene that only a word with three consecutive S's could convey. Do you have a favorite closing scene in opera?