Conor Hanick appears in the following:
Monday, April 25, 2011
On this specially curated week of Hammered! we spotlight a new album of piano music by New York-based composer Ryan Anthony Francis. The record features Bang On A Can pianist Vicky Chow, who, with Francis, joins Hammered! throughout the week with insights on this exquisite new body of piano music.
Monday, April 18, 2011
Friday, April 15, 2011
While filming material for a 1971 documentary by Gavin Bryars’s friend Alan Power focused on people living in impoverished areas in London, the filmmaker crossed paths with a singing vagrant who offered an improvised and affecting profession of faith with the words "Jesus' blood never failed me yet..."
Monday, April 11, 2011
When discussing the behavioral patterns of the composer phylum, one often differentiates between solo fliers and school swimmers. Another way for these creatures organize themselves, however, is in collectives, a fascinating behavior and the programmatic source for this week's Hammered!.
Monday, April 04, 2011
A stroll through The Juilliard School's fourth floor strongly suggests that the more pianists, the more scales. Since it's Trout Week on WQXR, we're embracing these dense schools of scaly pianistic creatures by showcasing chamber music for piano ensembles.
Monday, March 28, 2011
If the piano is a legitimate member of the percussion family, then it most certainly gets strange looks at reunions. This week on Hammered! we're embracing this familial black sheep and showcasing composers that utilize the piano for what it is: a percussion instrument.
Sunday, March 27, 2011
Monday, March 21, 2011
Monday, March 21, 2011
Monday, March 14, 2011
Sunday, March 13, 2011
Monday, March 07, 2011
Monday, February 28, 2011
Monday, January 31, 2011
This week Hammered! takes an international spin, featuring piano music by composers from five different countries, beginning Monday in France and ending the week in Greece.
Sunday, January 30, 2011
Monday, January 24, 2011
A lot to digest last week, no? The Ecstatic Music Festival marathon gave us a taste of its "multi-genre" offerings, performer-composers flourished in unique collaborations, and Q2 was blarring John Adams's El Niño, which typically ends with head-banging to "Shake The Heavens." This week on Hammered!, too much of last week's good things means reheating the uneaten pianistic highlights and serving them anew.
Sunday, January 23, 2011
Last November, Le Poisson Rouge held a 75th birthday celebration for mystical Estonian composer Arvo Pärt. Today at 2 pm, hear that concert in its entirety.
Monday, January 17, 2011
A utopia "where austerity and spontaneity are not rivals, but companions" is how composer and Ecstatic Music Festival curator Judd Greenstein described the compositional space of festival headliners Nico Muhly and Valgeir Sigurðsson. This week on Hammered! we'll amplify that description with piano music written and performed by musicians featured in the Ecstatic Music Festival.
Monday, January 10, 2011
Music is historically a very reactive material: Renaissance motets paraphrased liturgical chants; sonata structures were modeled on Mozartean tonal schemes; "Choral" symphonies were (at least) a century-long preoccupation. This week Hammered! investigates musical actions and reactions in the modern era, showcasing compositional "causes" and "effects".
Sunday, January 09, 2011
Tune into this week's Cued Up on Q2 for performances from Keys To The Future, the only festival of contemporary solo piano music in New York, which took place last year at (Le) Poisson Rouge in Manhattan.