David Patrick Stearns is the classical music critic for the Philadelphia Inquirer, a contributor to WRTI-FM in Philadelphia and a frequent contributor to Gramophone and Opera News magazine.
Newspapers: Philadelphia Inquirer classical music critic (2000 to the present) and USA Today music and theater critic (1983-2000).
Radio: WRTI-FM, contributor to Creatively Speaking with Jim Cotter (2009 to the present) and NPR Morning Edition, music commentator (1986-1989).
Magazines: Frequent contributions to Gramophone and Opera News.
Film: Screenwriter for two Lawrence Kraman documentaries, David Amram The First 80 Years (to be premiered in November) and The Face on the Barroom Floor (to be completed 2013).
Education: MA in musicology from New York University, BS in journalism from Southern Illinois University. Born in Sycamore, Illinois. Now living in Philadelphia.
David Patrick Stearns appears in the following:
Thursday, November 16, 2017
Because in this life, don't forget you're allowed to feel good.
Thursday, November 16, 2017
David Patrick Stearns reviews Daniil Trifonov's performance at Carnegie Hall, featuring his composition Piano Concerto in E-flat.
Sunday, November 05, 2017
"Faith" is a word with religious connotations, but it is also necessary to examine the faith we have in ourselves and our fellow humans.
Friday, November 03, 2017
WQXR writers and contributors discuss the opening concert of Lincoln Center's White Light Festival's Psalms Experience.
Monday, October 30, 2017
Some Bernstein pundits — including David Patrick Stearns — would say his best work is nearly unknown.
Friday, October 27, 2017
David Patrick Stearns writes that wonderful musical score of “The Exterminating Angel” at the Metropolitan Opera is undercut with a crowd of unlikable characters.
Thursday, October 19, 2017
A celebration of the 450th anniversary of Monteverdi's birth takes place at Alice Tully Hall with Sir John Eliot Gardiner and his Monteverdi Choir as the centerpiece.
Friday, September 29, 2017
David Patrick Stearns previews three new operas which examine a world divided into "us" and "them."
Tuesday, September 26, 2017
“Each of the artists had their own special keys for unlocking the opera and taking it to the next level,” writes David Patrick Stearns of the Met's new production of Norma.
Monday, September 18, 2017
David Patrick Stearns reviews “The Rite of Spring” as choreographed by Pina Bausch at Brooklyn Academy of Music and asks whether Stravinsky must be both seen and heard.
Thursday, September 07, 2017
David Patrick Stearns reviews New York City Opera's season opener — Puccini's "La Fanciulla del West."
Monday, September 04, 2017
The fall season for concert-going is upon us. Here are 14 of our picks for fall 2017 from David Patrick Stearns.
Friday, August 18, 2017
The return of Ivan Fischer's Don Giovanni production on Thursday for three sold-out performances was the banner attraction of this year's Mostly Mozart Festival at the Rose Theater.
Friday, July 21, 2017
The sanctity of the operatic masterpiece is becoming an increasingly dim memory. The question is, how much do we mind?
Thursday, July 20, 2017
David Patrick Stearns previews the belated U.S. premiere of Dvořák's 'Dmitrij' — the long lost sequel opera to Mussorgsky's 'Boris Godunov.'
Friday, June 16, 2017
David Patrick Stearns reviews the new opera "Three Way" at the Fishman Space at Brooklyn Academy of Music.
Monday, June 12, 2017
David Patrick Stearns reviews Peter Eotvos' operatic version of 'Angels in America' at New York City Opera.
Tuesday, May 23, 2017
David Patrick Stearns reviews Heartbeat Opera's 'Madama Butterfly' adaptation.
Wednesday, April 26, 2017
David Patrick Stearns reviews “The Flying Dutchman” at The Met Opera, finding it a strong revival bringing anticipation of maestro Yannick Nezet-Seguin's full-time tenure.
Friday, April 14, 2017
Robert Carsen's production of “Der Rosenkavalier” at the Met receives a divided reaction in what may also be Renée Fleming’s farewell to the opera stage.