David Patrick Stearns is the classical music critic for the Philadelphia Inquirer, a contributor to WRTI-FM in Philadelphia and a frequent contributor to Gramophone and Opera News magazine.
Newspapers: Philadelphia Inquirer classical music critic (2000 to the present) and USA Today music and theater critic (1983-2000).
Radio: WRTI-FM, contributor to Creatively Speaking with Jim Cotter (2009 to the present) and NPR Morning Edition, music commentator (1986-1989).
Magazines: Frequent contributions to Gramophone and Opera News.
Film: Screenwriter for two Lawrence Kraman documentaries, David Amram The First 80 Years (to be premiered in November) and The Face on the Barroom Floor (to be completed 2013).
Education: MA in musicology from New York University, BS in journalism from Southern Illinois University. Born in Sycamore, Illinois. Now living in Philadelphia.
David Patrick Stearns appears in the following:
Thursday, June 23, 2016
'Florencia en el Amazonas,' kicks off New York City Opera's Spanish-language series, with a butterfly-themed production. David Patrick Stearns reviews the performance.
Friday, June 03, 2016
Gerald Barry's 'The Importance of Being Earnest' received its U.S. stage premiere in a plate-smashing and somewhat confounding production by the New York Philharmonic and Lincoln Center.
Friday, April 29, 2016
A new production of Purcell's 'Dido and Aeneas' cast Broadway actors and debuted a new prologue to the 17th century work. David Patrick Stearns weighs in on the effort.
Monday, April 18, 2016
William Christie's Les Arts Florissants and director Robert Carson revive Campra's 18th century opera-ballet at the Brooklyn Academy of Music. David Patrick Stearns reviews it.
Friday, April 15, 2016
The Met stages Patrice Chereau's acclaimed production of 'Elektra,' starring Nina Stemme in the title role. David Patrick Stearns reviews the opera.
Friday, March 25, 2016
Sondra Radvanovsky portrays the third of Donizetti's three queens in a new production of Donizetti's 'Roberto Devereux' at the Met, which David Patrick Stearns reviews.
Thursday, March 24, 2016
Matthew Aucoin's 'The Orphic Moment' premieres on a program with Gluck's 'Orfeo et Euridice,' as Anthony Roth Constanzo sings the title role in both. David Patrick Stearns weighs in.
Wednesday, February 24, 2016
Stephen King's novel, The Shining, has been adapted into an opera that will premiere this spring; David Patrick Stearns previews the production.
Thursday, February 18, 2016
Following a diagnosis of brain cancer, Dmitri Hvorostovsky remains a formidable presence, both vocally and physically, as he proved in his Carnegie Hall recital.
Saturday, February 13, 2016
Roberto Alagna, replacing Jonas Kaufmann, joins Kristine Opolais in an uneven production of Puccini's 'Manon Lescaut' at the Metropolitan Opera.
Tuesday, January 26, 2016
New original operas featured in the 2016-2017 season and a three-year composer-in-residence stint from 25-year-old Matthew Aucoin were announced.
Monday, January 11, 2016
Two operas opened this past weekend at the Prototype Festival. Both focus with minimalism on intense subject matter. One does so with great effect, the other misses its mark.
Friday, January 01, 2016
Operavore critic David Patrick Stearns attended the New Year's Eve performance of The Pearl Fishers which returned to the Met after a century.
Tuesday, December 22, 2015
The end of the year means more lists. Here's another one: Operavore critic David Patrick Stearns' list of pivotal moments in 2015.
Thursday, December 10, 2015
New York's alternative venues include Le Poisson Rouge and Roulette. We can now add The Crypt Sessions from the Church of the Intercession at 155th Street and Broadway to the list.
Friday, November 06, 2015
David Patrick Stearns reviews the new William Kentridge production of Alban Berg's "Lulu" at the Metropolitan Opera.
Thursday, October 15, 2015
The genial, celebrated bass-baritone Eric Owens opened a year-long Philharmonic residency with "Great African American Singers and Their Legacy."
Monday, October 05, 2015
Gotham Chamber Opera's assertion that it didn't know it had a major deficit exemplifies the magical thinking that permeates opera management, writes David Patrick Stearns.
Tuesday, September 22, 2015
Even if the new Bartlett Sher production of Verdi's late masterpiece wasn't all one could hope for, much of it was, writes David Patrick Stearns.
Thursday, September 10, 2015
The Leipzig Gewandhaus Orchestra has said that Andris Nelsons will be its next chief conductor, making the 36-year-old suddenly very busy.