David Patrick Stearns is the classical music critic for the Philadelphia Inquirer, a contributor to WRTI-FM in Philadelphia and a frequent contributor to Gramophone and Opera News magazine.
Newspapers: Philadelphia Inquirer classical music critic (2000 to the present) and USA Today music and theater critic (1983-2000).
Radio: WRTI-FM, contributor to Creatively Speaking with Jim Cotter (2009 to the present) and NPR Morning Edition, music commentator (1986-1989).
Magazines: Frequent contributions to Gramophone and Opera News.
Film: Screenwriter for two Lawrence Kraman documentaries, David Amram The First 80 Years (to be premiered in November) and The Face on the Barroom Floor (to be completed 2013).
Education: MA in musicology from New York University, BS in journalism from Southern Illinois University. Born in Sycamore, Illinois. Now living in Philadelphia.
David Patrick Stearns appears in the following:
Monday, September 18, 2017
David Patrick Stearns reviews “The Rite of Spring” as choreographed by Pina Bausch at Brooklyn Academy of Music and asks whether Stravinsky must be both seen and heard.
Thursday, September 07, 2017
David Patrick Stearns reviews New York City Opera's season opener — Puccini's "La Fanciulla del West."
Monday, September 04, 2017
The fall season for concert-going is upon us. Here are 14 of our picks for fall 2017 from David Patrick Stearns.
Friday, August 18, 2017
The return of Ivan Fischer's Don Giovanni production on Thursday for three sold-out performances was the banner attraction of this year's Mostly Mozart Festival at the Rose Theater.
Friday, July 21, 2017
The sanctity of the operatic masterpiece is becoming an increasingly dim memory. The question is, how much do we mind?
Thursday, July 20, 2017
David Patrick Stearns previews the belated U.S. premiere of Dvořák's 'Dmitrij' — the long lost sequel opera to Mussorgsky's 'Boris Godunov.'
Friday, June 16, 2017
David Patrick Stearns reviews the new opera "Three Way" at the Fishman Space at Brooklyn Academy of Music.
Monday, June 12, 2017
David Patrick Stearns reviews Peter Eotvos' operatic version of 'Angels in America' at New York City Opera.
Tuesday, May 23, 2017
David Patrick Stearns reviews Heartbeat Opera's 'Madama Butterfly' adaptation.
Wednesday, April 26, 2017
David Patrick Stearns reviews “The Flying Dutchman” at The Met Opera, finding it a strong revival bringing anticipation of maestro Yannick Nezet-Seguin's full-time tenure.
Friday, April 14, 2017
Robert Carsen's production of “Der Rosenkavalier” at the Met receives a divided reaction in what may also be Renée Fleming’s farewell to the opera stage.
Monday, April 10, 2017
Composer Mason Bates and librettist Mark Campbell have created the opera “The (R)evolution of Steve Jobs” about the life of the Apple computer founder. It premieres in July in Santa Fe.
Monday, April 03, 2017
Ottorino Respighi's obscure opera 'La Campana Sommersa' (The Sunken Bell) has 'had a surprisingly convincing revival by the New York City Opera' writes reviewer David Patrick Stearns.
Friday, March 17, 2017
David Patrick Stearns reviews LoftOpera's production of the seldom produced, undervalued opera, in what is said to be the first New York staging in 40 years.
Friday, February 03, 2017
The Metropolitan Opera's new production of Dvořák's "Rusalka" had some significant odds to overcome at its Thursday opening, writes David Patrick Stearns in his review.
Monday, January 09, 2017
The City Opera production of "Candide" delivers lively entertainment showing Bernstein at his best in a circus-cum-vaudeville style production, writes David Patrick Stearns.
Sunday, January 01, 2017
The Metropolitan Opera's new production of "Romeo et Juliette" at the New Year's Eve opening may be the risk of the season, writes David Patrick Stearns.
Friday, December 02, 2016
Kaija Saariaho's "L'Amour de Loin" is one of the operatic wonders of our time, though the best efforts of the Met Opera didn't always reveal that to Thursday's opening night audience.
Monday, November 14, 2016
Kathleen Battle's hyped return to the Metropolitan Opera began 30 minutes late. But once she started, she showed no signs of stopping.
Tuesday, November 01, 2016
Karita Mattila's characterization of Jenůfa's tormented stepmother Kostelnicka is the talk of Metropolitan Opera circles, and could well become a signature role.