David Patrick Stearns appears in the following:
Friday, September 05, 2014
Friday, July 11, 2014
Mieczyslaw Weinberg's 1968 opera The Passenger is not the great, cathartic Holocaust opera that we've been waiting for, writes David Patrick Stearns.
Wednesday, June 18, 2014
Rameau's one-act Pygmalion received a site-specific staging at Madame Tussauds Tuesday night. Operavore's David Patrick Stearns writes that the venue brought some challenges to the score.
Monday, March 31, 2014
The Metropolitan Opera's annual stars-of-tomorrow event is often a prelude to a house contract. David Patrick Stearns assesses the talent on display on Sunday.
Monday, March 03, 2014
"Without so much as an outrageously updated production or even a fake head, the visiting Vienna State Opera at Carnegie Hall delivered a near-seismic concert version of Salome," writes David Patrick Stearns.
Wednesday, February 19, 2014
Operavore's David Patrick Stearns reviews the new Met Opera production of Werther which reveals itself as a haunting but solid presentation.
Monday, February 10, 2014
The Glyndebourne Festival production of Billy Budd has docked in Brooklyn. David Patrick Stearns writes that it explores the opera's layers with a thoroughness and balance not often found anywhere.
Friday, February 07, 2014
The results of the Met's revival of Borodin's Prince Igor were visually imaginative and musically gratifying but essential narrative elements simply weren’t there, writes David Patrick Stearns.
Thursday, January 02, 2014
The Metropolitan Opera's new production of Johann Strauss Jr.'s classic operetta Die Fledermaus bowed on New Year's Eve. David Patrick Stearns writes that this staging was too gussied up.
Wednesday, December 18, 2013
This was the year of Bellini's Norma, whose title role has even frightened off Renee Fleming and has mostly been a mirage in the operatic past, writes David Patrick Stearns in this look back.
Saturday, December 07, 2013
In Robert Carsen's production of Falstaff, 1950s England stands in for the Windsor of Shakespearean antiquity. The conceit mostly works, writes David Patrick Stearns.
Monday, November 25, 2013
The major Britten centennial event in New York on Friday was a concert version of Peter Grimes. The performers went for broke at every dramatic opportunity, writes David Patrick Stearns.
Monday, October 28, 2013
With "Baden-Baden 1927," Gotham Chamber Opera presented four one-act works by Ernest Toch, Darius Milhaud, Kurt Weill and Paul Hindemith. David Patrick Stearns considers the results.
Tuesday, October 22, 2013
Nico Muhly's Two Boys has an intentionally creepy sexual frankness that goes beyond anything previously seen on the Met stage, writes David Patrick Stearns.
Sunday, October 13, 2013
The Met's high-style production with a smartly-selected cast represents a near-ideal opportunity to come to terms with what the piece is and is not, writes David Patrick Stearns.
Wednesday, September 25, 2013
"Light, swift and cogent were the watchwords in a performance that felt rather shorter than its three-and-a-half hour duration," writes David Patrick Stearns.
Tuesday, September 24, 2013
Before the first notes of Eugene Onegin, shouts rained down from the Family Circle of the Metropolitan Opera, with the word "Putin" surfacing often. David Patrick Stearns reports.
Wednesday, September 18, 2013
If applause alone could cure the New York City Opera's financial ills, the company would be in the pink following Tuesday's opening of the Mark-Anthony Turnage opera Anna Nicole, writes David Patrick Stearns.
Wednesday, August 14, 2013
Racks of dresses sat in the middle of the stage while costumed mannequins hung in mid air in the Mostly Mozart production of Marriage of Figaro. David Patrick Stearns had a look and offers his review.
Tuesday, July 09, 2013
This Chinese martial arts opera comes to Lincoln Center for 27 performances.