David Patrick Stearns

David Patrick Stearns appears in the following:

Review: Met Tries Conceptual Approach in Rich, Confounding Prince Igor

Friday, February 07, 2014

The results of the Met's revival of Borodin's Prince Igor were visually imaginative and musically gratifying but essential narrative elements simply weren’t there, writes David Patrick Stearns.

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Review: Metropolitan Opera’s New Fledermaus is Sprawling, Schticky

Thursday, January 02, 2014

The Metropolitan Opera's new production of Johann Strauss Jr.'s classic operetta Die Fledermaus bowed on New Year's Eve. David Patrick Stearns writes that this staging was too gussied up.

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12 Pivotal Moments in Opera in 2013

Wednesday, December 18, 2013

This was the year of Bellini's Norma, whose title role has even frightened off Renee Fleming and has mostly been a mirage in the operatic past, writes David Patrick Stearns in this look back.

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Review: In Metropolitan Opera's Falstaff, An Old Rogue Takes on a Dark Edge

Saturday, December 07, 2013

In Robert Carsen's production of Falstaff, 1950s England stands in for the Windsor of Shakespearean antiquity. The conceit mostly works, writes David Patrick Stearns.

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Review: St. Louis Symphony's Intense Peter Grimes Caps Britten Centennial

Monday, November 25, 2013

The major Britten centennial event in New York on Friday was a concert version of Peter Grimes. The performers went for broke at every dramatic opportunity, writes David Patrick Stearns.

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Review: Gotham Chamber Opera Recreates Seminal Event in 'Baden-Baden 1927'

Monday, October 28, 2013

With "Baden-Baden 1927," Gotham Chamber Opera presented four one-act works by Ernest Toch, Darius Milhaud, Kurt Weill and Paul Hindemith. David Patrick Stearns considers the results.

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Review: Hypnotic and Frank, Muhly's Two Boys Gets U.S. Premiere at the Met

Tuesday, October 22, 2013

Nico Muhly's Two Boys has an intentionally creepy sexual frankness that goes beyond anything previously seen on the Met stage, writes David Patrick Stearns.

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Review: Britten and Shakespeare's Urban Forest in a 'Dream' Team at the Metropolitan Opera

Sunday, October 13, 2013

The Met's high-style production with a smartly-selected cast represents a near-ideal opportunity to come to terms with what the piece is and is not, writes David Patrick Stearns.

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Review: James Levine Makes Solid Return in Met's Cosi fan tutte

Wednesday, September 25, 2013

"Light, swift and cogent were the watchwords in a performance that felt rather shorter than its three-and-a-half hour duration," writes David Patrick Stearns.

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Review: Amid Protests and Gowns, Met Opens Season with Eugene Onegin

Tuesday, September 24, 2013

Before the first notes of Eugene Onegin, shouts rained down from the Family Circle of the Metropolitan Opera, with the word "Putin" surfacing often. David Patrick Stearns reports.

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Review: City Opera's Anna Nicole Tells Tabloid Saga

Wednesday, September 18, 2013

If applause alone could cure the New York City Opera's financial ills, the company would be in the pink following Tuesday's opening of the Mark-Anthony Turnage opera Anna Nicole, writes David Patrick Stearns.

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Review: A Marriage of Figaro with Musical Taste, Fashion Faux Pas

Wednesday, August 14, 2013

Racks of dresses sat in the middle of the stage while costumed mannequins hung in mid air in the Mostly Mozart production of Marriage of Figaro. David Patrick Stearns had a look and offers his review.

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'Monkey: Journey to the West': Lavish, Lightweight Summer Fare at Lincoln Center

Tuesday, July 09, 2013

This Chinese martial arts opera comes to Lincoln Center for 27 performances.

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Review: City Opera's Grand, Musically Uneven Moses in Egypt

Monday, April 15, 2013

The ages-old plea, “Let my people go,” took on immediate meaning when Rossini’s Moses in Egypt had concluded its second act and the Israelites were still captive, writes David Patrick Stearns.

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Review: Met's Giulio Cesare Laces Politics with Bollywood Dance

Friday, April 05, 2013

"Reaching the end of Giulio Cesare at its opening night wasn't just a matter of taking in four-plus hours of Handel’s greatest arias, but navigating stories within stories," writes David Patrick Stearns.

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Review: John Adams Thinks Big in New Telling of the Gospel

Thursday, March 28, 2013

John Adams's large-scale oratorio The Gospel According to the Other Mary got its New York premiere Wednesday night. David Patrick Stearns writes that its Adams's "biggest and most profusely scored work."

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Bach 360°: How Bach Scored with the Keyboard

Thursday, March 28, 2013

Beyond religion, beyond duty, beyond fashion lies J.S. Bach’s music for keyboard. Read David Patrick Stearns's take on the composer's epic keyboard works and get a free download.

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Bach 360°: The Many Forms of Bach

Thursday, March 21, 2013

For the next 10 days, WQXR will be presenting the complete works of J.S. Bach – some 1100 in all. Get a free download, read our introductory essay and check out programming highlights.

Comments [32]

Review: City Opera's Turn of the Screw Missing Spooky Thrills

Monday, February 25, 2013

"For all its musical clarity Sunday at BAM, Britten's opera failed to take possession (at least of me) in a way that it truly can," writes Operavore's David Patrick Stearns.

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Review: Metropolitan Opera's Entrancing and Enigmatic Parsifal

Tuesday, February 19, 2013

"The production isn’t for everybody, but so handsomely filled this five-hour-plus opera," writes David Patrick Stearns.

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