Fred Plotkin appears in the following:
Friday, October 12, 2012
For almost her entire life, when Mirella Freni sang, all people could do was stop and listen. Fred Plotkin considers why.
Tuesday, October 09, 2012
At the time that Verdi's daughter was born, the composer was deep into the composition of Il Trovatore, his strange and compelling story about babies who are switched, abandoned, even burned in a fire.
Thursday, October 04, 2012
"While there are some singers who still are engaged by opera companies and presented as stars whom audiences flock to see, there are fewer of these all the time," writes Fred Plotkin.
Tuesday, October 02, 2012
This hilly, leafy city above the Ohio River grew in the 19th century with waves of German immigrants who brought values of hard work, love of music and of hearty food, writes Fred Plotkin.
Thursday, September 27, 2012
Smoking used to be commonplace among opera singers, as it was the general public. These days, there remain a few hold-outs, despite its obvious dangers. Fred Plotkin considers the practice.
Monday, September 24, 2012
"More than a few stage directors seem to think that the overture is theirs to play with, creating stage business that happens while the overture is being performed," complains Fred Plotkin.
Friday, September 21, 2012
In tough financial times, "we, as audiences, need to express faith and solidarity with our opera companies, encouraging them to be daring and creative and supporting them in their efforts," writes Fred Plotkin.
Tuesday, September 18, 2012
There are many singers, especially young ones, who go beyond their physical and mental limits because they feel they must do so to please a conductor or manager, writes Fred Plotkin in this cautionary tale.
Friday, September 14, 2012
Master classes are one of the most fascinating aspects of the process of taking talented young singers and trying to polish and mold them while allowing them to retain what makes them special, writes Fred Plotkin.
Tuesday, September 11, 2012
Pop music has addressed the concept of freedom in many different ways, writes Fred Plotkin. "In opera, freedom is described in ways that are more indirect but also more profound."
Thursday, September 06, 2012
"There are singers who touch audience members very deeply for any number of reasons," writes Fred Plotkin. "For me, one of those was the Austrian soprano Leonie Rysanek."
Tuesday, September 04, 2012
In operas, the moon has come to signal lunacy in mad scenes, represent expressions of love and suggest the darker forces within characters. Blogger Fred Plotkin considers why the moon is such a force.
Friday, August 31, 2012
In a few days, if customary schedules are upheld, we will learn the names of the recipients of the 2012 Kennedy Center Honors. Blogger Fred Plotkin names artists who have been overlooked or deserve recognition.
Tuesday, August 28, 2012
Richard Tucker would have been 99 on Tuesday. Blogger Fred Plotkin writes that "even when he was 60, his singing was fresh, musical and expressive and audiences loved him."
Friday, August 24, 2012
The Verbier Festival, held in a small French-Swiss town high in the Alps, will celebrate its 20th anniversary in the summer of 2013. It has become, in a relatively short period of time, one of the most important events on the annual calendar of not-to-miss musical events, right up there with the Salzburg Festival, the Edinburgh Festival in Scotland and the BBC Proms in London.
Monday, August 20, 2012
Blogger Fred Plotkin looks at singers that do more than one role in an Opera. This second article of a two part series focuses on female singers, such as Leonie Rysanek.
Friday, August 17, 2012
Blogger Fred Plotkin looks at singers that do more than one role in an Opera. This first article of a two part series focuses on male singers, such as Plácido Domingo.
Tuesday, August 14, 2012
Operavore blogger Fred Plotkin takes a look at two new productions of Carmen and Carmélites from indie East Village Dell’Arte Opera Ensemble.
Thursday, August 09, 2012
A home organization project prompts blogger Fred Plotkin to ask: What is the opera you have the most recordings of? Are there any operas you believe merit a new recording?