Fred Plotkin

Fred Plotkin appears in the following:

What Audiences Can Bring to an Opera Performance

Friday, September 21, 2012

In tough financial times, "we, as audiences, need to express faith and solidarity with our opera companies, encouraging them to be daring and creative and supporting them in their efforts," writes Fred Plotkin.

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Notes on Rests: When Singers Face Vocal Breakdown

Tuesday, September 18, 2012

There are many singers, especially young ones, who go beyond their physical and mental limits because they feel they must do so to please a conductor or manager, writes Fred Plotkin in this cautionary tale.

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The Art of the Master Class

Friday, September 14, 2012

Master classes are one of the most fascinating aspects of the process of taking talented young singers and trying to polish and mold them while allowing them to retain what makes them special, writes Fred Plotkin.

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Freedom, at the Opera and Everywhere Else

Tuesday, September 11, 2012

Pop music has addressed the concept of freedom in many different ways, writes Fred Plotkin. "In opera, freedom is described in ways that are more indirect but also more profound."

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Remembering the Great Leonie Rysanek

Thursday, September 06, 2012

"There are singers who touch audience members very deeply for any number of reasons," writes Fred Plotkin. "For me, one of those was the Austrian soprano Leonie Rysanek."

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Mooning Over Opera

Tuesday, September 04, 2012

In operas, the moon has come to signal lunacy in mad scenes, represent expressions of love and suggest the darker forces within characters. Blogger Fred Plotkin considers why the moon is such a force.

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Who Should Receive the Kennedy Center Honors?

Friday, August 31, 2012

In a few days, if customary schedules are upheld, we will learn the names of the recipients of the 2012 Kennedy Center Honors. Blogger Fred Plotkin names artists who have been overlooked or deserve recognition.

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Celebrating Tenor Richard Tucker

Tuesday, August 28, 2012

Richard Tucker would have been 99 on Tuesday. Blogger Fred Plotkin writes that "even when he was 60, his singing was fresh, musical and expressive and audiences loved him."

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Planet Opera: An Alpine Symphony at the Verbier Festival

Friday, August 24, 2012

The Verbier Festival, held in a small French-Swiss town high in the Alps, will celebrate its 20th anniversary in the summer of 2013. It has become, in a relatively short period of time, one of the most important events on the annual calendar of not-to-miss musical events, right up there with the Salzburg Festival, the Edinburgh Festival in Scotland and the BBC Proms in London.

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When Women Sing More Than One Role in the Same Opera

Monday, August 20, 2012

Blogger Fred Plotkin looks at singers that do more than one role in an Opera. This second article of a two part series focuses on female singers, such as Leonie Rysanek.

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When Men Sing More Than One Role in the Same Opera

Friday, August 17, 2012

Blogger Fred Plotkin looks at singers that do more than one role in an Opera. This first article of a two part series focuses on male singers, such as Plácido Domingo.

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No Roses or Rosaries for Carmen and Carmélites

Tuesday, August 14, 2012

Operavore blogger Fred Plotkin takes a look at two new productions of Carmen and Carmélites from indie East Village Dell’Arte Opera Ensemble.

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What Our Music Collections Say About Us

Thursday, August 09, 2012

A home organization project prompts blogger Fred Plotkin to ask: What is the opera you have the most recordings of? Are there any operas you believe merit a new recording?

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Opera, Come Rain or Come Shine

Tuesday, August 07, 2012

This summer has seen huge downpours interrupt several summer music festivals around the globe. Blogger Fred Plotkin considers the presence of rain storms off-stage and on (see: Rossini, Wagner).

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When Puccini Got the Willies

Saturday, August 04, 2012

The ballet Giselle was the inspiration for Puccini’s first opera, Le Villi. It could be argued that this work, seldom seen now, had a profound impact on how Puccini’s career would develop.

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Sleuthing Singer Discovers Long Lost Aria by Cilea

Tuesday, July 31, 2012

The Italian tenor Giuseppe Filianoti recently encountered a lost aria from Francesco Cilea's 1897 opera L’Arlesiana. He tells blogger Fred Plotkin about his discovery.

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An Olympian Opera

Friday, July 27, 2012

What's the most popular operatic libretto of all time? It may be L’Olimpiade, which was set by dozens of composers in the 18th century. Blogger Fred Plotkin looks at the Olympic opera.

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Is it Ethical to Take an Empty Seat in a Theater?

Tuesday, July 24, 2012

Plenty of us know the concert-going routine: an empty seat opens up in a better location and you pounce. But blogger Fred Plotkin believes this is problematic. Here's why.

Poll: Are empty seats yours to take?

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Planet Opera: Fairbanks, Alaska, Where Opera is a Force of Nature

Thursday, July 19, 2012

"The greatest sound I heard (apart from the Opera Fairbanks performance of La Bohéme) were the ebullient barks and yelps of perhaps 70 Alaskan Huskies," writes blogger Fred Plotkin from Fairbanks.

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Nudity for Opera Buffs

Monday, July 16, 2012

From Salome to Samson et Delila to Wagner's Rheinmaidens, opera singers are occasionally asked to bare all. "As a general rule," writes blogger Fred Plotkin, "nudity is fine if it is an integral part of the story."

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