Fred Plotkin appears in the following:
Tuesday, March 12, 2013
Fred Plotkin offers young singers suggestions about things to think about as they develop their careers and personal lives.
Saturday, March 09, 2013
"Social media has enabled singers to feel connected and loved in ways that would have been inconceivable only a few years ago," writes Fred Plotkin. Still, life on the road can be a lonely pursuit at times.
Wednesday, March 06, 2013
This Saxon city, so beautiful and so marked by centuries of tragedy and glory, was Richard Wagner’s second home. Fred Plotkin tells us why it matters today.
Friday, March 01, 2013
Wagner’s Parsifal is not my favorite opera and I doubt it ever will be," writes Fred Plotkin. "And yet, it has taken rather firm hold of my imagination.
Tuesday, February 26, 2013
Operavore blogger Fred Plotkin considers the Met's next season, which has some conspicuously absent singers but also the return of conductor James Levine.
Sunday, February 24, 2013
Operavore blogger Fred Plotkin takes on marketing strategies and dynamic pricing in today's opera companies in his follow up article about the future of performing arts institutions and audience loyalty.
Tuesday, February 19, 2013
Operavore blogger Fred Plotkin ponders the role of subscriptions in the health of performance arts institutions.
Friday, February 15, 2013
Puppets and dolls have, since antiquity, served as surrogates for humans in religious and secular celebrations. Fred Plotkin considers the work of Hendrik Bonneur, who uses puppets in opera.
Wednesday, February 13, 2013
A particular characteristic of life in Amsterdam is the nearly untranslatable and unpronounceable word gezellig. It applies to many aspects of life and music in the Dutch city, writes Fred Plotkin.
Sunday, February 10, 2013
Sometimes a good conductor can help an orchestra overcome a flawed concert hall; other times a great hall can mask the shortcomings of a poor conductor. Fred Plotkin considers the relationship of maestro, hall and orchestra.
Monday, February 04, 2013
Wine, whether still, sparkling or fortified, really flows in opera – from the elixir in Donizetti’s L’Elisir d’Amore to Champagne in Die Fledermaus. Fred Plotkin considers these heady connections.
Wednesday, January 30, 2013
"On January 25, at the Juilliard School, Joyce DiDonato gave a master class on how to give a master class," writes Fred Plotkin.
Friday, January 25, 2013
Anyone who loves opera surely knows by now that 2013 marks the bicentennial of the births of Richard Wagner (May 22) and Giuseppe Verdi (October 10), the colossi of 19th Century opera.
Tuesday, January 22, 2013
"Quartet," a new film directed by Dustin Hoffman, "is a bit too pat and contrived in its conflation of opera and the rigors of old age," writes Fred Plotkin. But he commends it despite its limitations.
Friday, January 18, 2013
"Friends, New Yorkers, Opera Lovers Everywhere," writes Fred Plotkin. "Do I really need to explain why people should not engage in extended conversations at the opera?"
Wednesday, January 16, 2013
Four cities in Italy have created what is known as the Circuito Lirico Lombardo, a consortium that works collaboratively to create four opera productions every season. Fred Plotkin reports from Italy.
Friday, January 11, 2013
A new museum dedicated to Richard Wagner opens this weekend near Dresden. Located in a former hunting lodge, it opens as the world gets ready to mark his 200th anniversary, reports Fred Plotkin.
Tuesday, January 08, 2013
"When technological devices demand our attention and we feel we are missing something if we don’t constantly check for updates, then we use our time and our senses in different ways," writes Fred Plotkin.
Friday, January 04, 2013
"While not everything works ideally in any opera company, the Royal Opera has been on a roll," Fred Plotkin reports. But what does the future hold at a time when the company's chief executive is leaving?
Friday, December 28, 2012
One of its arias became the the most memorable scene in the 1993 film Philadelphia. But far too many opera lovers aren't familiar with Umberto Giordano’s verismo gem, writes Fred Plotkin.