Fred Plotkin appears in the following:
Thursday, June 23, 2011
For the finale to his second season as music director, Alan Gilbert chose to stage Janacek’s The Cunning Little Vixen. Fred Plotkin offers an assessment of its significance in the operatic canon.
Sunday, June 19, 2011
As Tony Award winner Tyne Daly makes her return to Broadway as Maria Callas in Terrence McNally's biographical drama, "Master Class," Fred Plotkin considers the many actresses who have portrayed the famous soprano.
Thursday, June 16, 2011
Riccardo Muti concluded his five-year tenure as the artistic director of the Pfingstfestspiele (Whitsun) Festival in Salzburg on June 13 by playing one of his strong suits: the music of Luigi Cherubini (1760-1842). Muti has been a leading interpreter and champion of the Florence-born composer who is most famous for his opera, Medea.
Tuesday, June 14, 2011
On WQX-Aria, blogger Fred Plotkin claims a special feeling for the mezzo-soprano voices. "There is a warmth and sensuality to middle range voices (including the baritone) that exerts a special appeal." Alaska-born mezzo Vivica Genaux is in a case in point.
Monday, June 13, 2011
From Salzburg, Fred Plotkin reports on a revival of I Due Figaro, a forgotten operatic tale of Figaro, the character famously popularized by Mozart and Rossini. This one, however, comes via "a production without imagination."
Tuesday, June 07, 2011
To be a great maestro, less is more, writes Fred Plotkin on WQX-Aria. "The best conductors sort out almost all of the stylistic and musical issues in rehearsal, leaving themselves and musicians free to just play and breathe spontaneously."
Saturday, June 04, 2011
Experiencing the Met's radio broadcasts is no longer an ephemeral experience, writes blogger Fred Plotkin on WQX-Aria. The Met, along with Sony, has begun to take some jewels out of the vault, including recordings of Mozart, Beethoven and Wagner operas.
Thursday, June 02, 2011
At the moment, there are few top Italian female singers known to international audiences, writes Fred Plotkin on WQX-Aria. But two getting fresh attention and are well worth hearing: Anna Caterina Antonacci and Daniela Barcellona.
Tuesday, May 31, 2011
As the news of death of the great bass Giorgio Tozzi (January 8, 1923-May 30, 2011) has begun to spread, a few people have asked, “Where in Italy was he from?” The answer was Chicago, writes Fred Plotkin on WQX-Aria.
Thursday, May 26, 2011
There are the famous, evergreen festivals including Bayreuth, Edinburgh, Glyndebourne, Salzburg, and Verona. All are great and deserve to be attended at least once. But there is so much more, in big cities and small towns.
Thursday, May 26, 2011
"There are still great voices today, but they might reside in bodies that look more like those of the average person rather than an operatic Angelina Jolie or Brad Pitt," writes blogger Fred Plotkin. "I have seen many pretty or handsome singers who bore me silly."
Monday, May 23, 2011
In my post about operatic Genoa, I made passing reference to the grattacielo (skyscraper) there that contained a 1000-seat cinema where opera was presented from after World War II until 1992. Among the many artists who sang there were Renata Tebaldi and Maria Callas. This building is usually called the first skyscraper in Italy, a nation that still has very few buildings that merit this designation. This one, and the Pirelli Tower in Milan, are my favorites.
Saturday, May 21, 2011
All of this talk of rapture and apocalypse has reminded blogger Fred Plotkin of what is known in German opera as the Schlussszene: a great dramatic closing scene that only a word with three consecutive S's could convey. Do you have a favorite closing scene in opera?
Wednesday, May 18, 2011
Gustav Mahler, who died a century ago today, was a New Yorker for the last three years of his life, and during this time he led several productions at the Met. On WQX-Aria, Fred Plotkin reflects on the composer's life, and why it may be perfect operatic fodder.
Monday, May 16, 2011
There has not been a new Mozart opera at the Met since 1984. But as WQX-Aria blogger Fred Plotkin explains, the composer's nearly forgotten gem, Mitridate, Re di Ponto, is finally getting some renewed consideration.
Thursday, May 12, 2011
"While I don’t find booing acceptable in a theater under any circumstances, to do it following something so extremely challenging is what Italians call maleducato," writes blogger Fred Plotkin on WQX-Aria. What do you think about booing? Does it have a place in opera?
Tuesday, May 10, 2011
Two of the Met's current conductors, Marco Armiliato and Fabio Luisi, hail from Genoa, Italy. On WQX-Aria, blogger Fred Plotkin considers the cultural riches of that city and its contributions to the history of opera -- from Scotto to Verdi.
Thursday, May 05, 2011
One does not have to be Christian, or even religious, to be affected by the universal sentiments of Dvorak's words about parental grief, writes blogger Fred Plotkin on WQX-Aria.
Tuesday, May 03, 2011
On WQX-Aria, blogger Fred Plotkin asks: "What happens when an evil character in opera dies, one for whom we have not developed positive feelings -- Hagen in Götterdämmerung or Scarpia in Tosca? Do we feel bad? Do we rejoice?"