Fred Plotkin appears in the following:
Friday, April 29, 2011
As the Metropolitan Opera presents Wagner’s Das Rheingold and Verdi’s Il Trovatore this month, Fred Plotkin investigates one of the more striking ingredients shared between the two productions: the use of the lead anvil.
Thursday, April 28, 2011
Anita Välkki (October 25, 1926-April 27, 2011) has just died and I realize that most people have no idea who she was. This is strange, because she was a major artist, certainly behind Birgit, Leonie and perhaps Astrid Varnay (1918-2006), but nonetheless one of a very small group.
Monday, April 25, 2011
On WQX-Aria, blogger Fred Plotkin decries the use of microphones in opera. "I don’t care how good the 'sound design' is, the mediation of electronics between voice and audience inevitably flattens and cheapens the performance," he writes.
Thursday, April 21, 2011
A few years ago, June LeBell, an announcer beloved to generations of WQXR listeners, organized a lecture series about composers called “The Busy B’s” in which I was invited to participate. Each speaker would be assigned one composer whose name begins with that letter. June was concerned that most of us would ask for Bach, Beethoven and Brahms, and was hopeful that someone might request Borodin, Bartók, Britten or Barber.
Wednesday, April 20, 2011
Nowadays, it seems, you have not died until you have died on Facebook. On April 15 at 6:01 pm, Samuel Ramey posted, "I just received a message from an Italian FB friend that the tenor Vincenzo la Scola died. He died in Turkey but I have no other details. So sad. What a nice man and a wonderful singer he was.
Friday, April 15, 2011
In polite society, we have been told, it is not nice to talk about religion, politics or sex. This would mean that opera lovers are not polite company, which is wrong. We just happen to be more open to topics that are central to the human experience than people who are confined to talking about the weather.
Tuesday, April 12, 2011
"We sleep at the opera for at least a couple of reasons," writes Fred Plotkin. "One is that we are overtired. The other is the sublime twilight we enter while listening to exquisite music played in a congenial space without electronic transmission."
Saturday, April 09, 2011
On WQX-Aria, Fred Plotkin considers Tito Gobbi, Maria Callas, William Shimell and the notion of opera singers who act in films.
Tuesday, April 05, 2011
When scaling back his conducting duties this season, why did James Levine choose to conduct Alban Berg over masterpieces by Verdi and Wagner? Fred Plotkin has some theories on WQX-Aria.
Saturday, April 02, 2011
"If the new operatic Valhalla is in Scandinavia (Norway, Sweden, Denmark) or its Nordic cousin, Finland, I would have even more motivation to go," writes Fred Plotkin on WQX-Aria.
Thursday, March 31, 2011
When I give lectures about opera or meet people at performances, I am asked many interesting questions. I hope that readers of my blog posts will write in with questions and I will try to answer them in future entries. The three questions I am asked most come so frequently that I might as well answer them here so we can move on to others.
Sunday, March 27, 2011
One of the tasks I have set for myself in writing this blog is to help readers understand the many components of opera and provide correctives when necessary. You are, of course, welcome to disagree with me and, because opera lovers are an opinionated lot, I know some of you will. All I ask is that we get the terminology and history right so that our opinions and feelings can come forth in the proper context.
Wednesday, March 23, 2011
I have been asked, often, about how the cancellations by important artists affect casts, productions and audiences. I will address this at some point with you, but something else has been on my mind.
Monday, March 21, 2011
When I was asked to contribute to a blog about opera for WQXR.org I accepted without hesitation. Many people who know me say that I live on a metaphorical Planet Opera, which I take as a compliment even though opera is only part -- a wonderful part -- of the fabric of my life. I know that anyone who embraces opera, which is to say loves opera rather than merely “appreciates” it, lives more richly and is usually more in touch with the human experience. This is because opera addresses, on many levels, the core issues and questions of who we are.