Fred Plotkin appears in the following:
Tuesday, April 10, 2012
"Even for someone who has never visited this city, Paris exists in the imagery one finds in paintings, films, print media, literature, wine bottles and much more," writes Fred Plotkin, who samples some of the city's musical treasures.
Friday, April 06, 2012
The French capital has become the most important opera center in Europe in the early 21st century, writes blogger Fred Plotkin. "It has perhaps even surpassed New York."
Tuesday, April 03, 2012
Samuel Barber's lushly romantic music has long been considered passé in part because he does not have an effective advocate, writes blogger Fred Plotkin. But new recordings and performances may help change that.
Sunday, April 01, 2012
In one of the most extraordinary discoveries in recent years, an opera that experts say is the long-lost first work by Vincenzo Bellini was found during an archeological dig in Sicily.
Thursday, March 29, 2012
"In my many years of operagoing, I have observed and met audience members who are blind or deaf and yet are as passionate about the art form as I am," writes blogger Fred Plotkin.
Monday, March 26, 2012
This year marks the centennial of Massenet's death and the French composer is being honored with a new Met production of Manon, as well as new books and an exhibit in Paris. Blogger Fred Plotkin reports.
Friday, March 23, 2012
Aretha Franklin, who will turn 70 on Sunday, "is as exciting, surprising and compelling as when I first heard her in 1967," reports Fred Plotkin, who heard the singer on February 18 at Radio City Music Hall.
Tuesday, March 20, 2012
Turin, or Torino, is the only city in Italy right now that rivals Milan when it comes to opera and symphonic music, writes Fred Plotkin. Its food, wine and feeling of sophistication make it worth a visit.
Friday, March 16, 2012
"The Irish are the best conversationalists I know," writes blogger Fred Plotkin. "They do not simply banter, but spin out words and phrases in whirling musical arcs that beguile the listener."
Tuesday, March 13, 2012
As this post was being written, nine young singers are preparing for one of the most important days of their careers. Read on to find out why.
Thursday, March 08, 2012
South Africa has produced some extraordinary singers but it has yet generate a major homegrown opera. Fred Plotkin considers the potential of an opera "flavored with the cadences of Afrikaans, Zulu and Xhosa."
Tuesday, March 06, 2012
Te Kanawa, who turns 68 on Tuesday, is an example of a singer who knew how to pick roles that perfectly suited her, writes Operavore blogger Fred Plotkin.
Friday, March 02, 2012
"I don’t see the worlds of classical/opera and “pop”/Broadway as separated by a wall but as sitting on the same gorgeous field in different zones that sometimes overlap," writes blogger Fred Plotkin.
Monday, February 27, 2012
Even while absent from the conductor's podium, Music Director James Levine's presence is nonetheless still felt in The Metropolitan Opera's upcoming programs. Blogger Fred Plotkin shares his highlights.
Friday, February 24, 2012
Finnish composer Kaija Saariaho is composer-in-residence at Carnegie Hall this year. Her much-admired body of work includes the operas L’Amour de loin and Adriana Mater. Blogger Fred Plotkin spoke with her about her upcoming engagement.
Tuesday, February 21, 2012
Sipping a flavorful tea and enjoying an opera are mutually compatible activities, writes blogger Fred Plotkin. One composer has even written an opera on the subject.
Friday, February 17, 2012
One is a veteran artist who gets better all the time; the other is a young singer whose immense gifts and potential suggest he might achieve comparable things, writes Fred Plotkin.
Wednesday, February 15, 2012
Marco Armiliato will set a Metropolitan Opera record this week by leading six operas in six days, the highest number ever in a single week by one conductor. Blogger Fred Plotkin considers the feat.
Friday, February 10, 2012
The trailblazing African-American tenor George Shirley recently wrote an essay on race in opera that serves as a reminder of the opera field's past inequities and potential for progress, writes Fred Plotkin.
Tuesday, February 07, 2012
A scholarly book looks at the many depictions of people "of color" in opera, including the thorny stage practice in which performers apply heavy makeup to play leading roles such as Otello and Aïda. Fred Plotkin considers.