Fred Plotkin appears in the following:
Wednesday, August 10, 2011
Smetana’s The Bartered Bride, Wagner's Siegfried and Sir William Walton's The Bear are just a few examples of operas involving grizzly adventures.
Tuesday, August 09, 2011
Anyone who attends opera performances regularly at a local opera company develops a relationship with a whole group of people whom he or she may not know personally: The chorus.
Sunday, August 07, 2011
On Tuesday and Wednesday, British soprano Lucy Crowe will make her Lincoln Center debut at the Mostly Mozart Festival. Previous entries in my series of “Unsung Singers” were artists further along in their careers who I feel deserve more recognition. Perhaps in the case of Ms. Crowe “unsung” should suggest that she has not yet performed in places where I could attend. Most of her career thus far has been in the United Kingdom.
Thursday, August 04, 2011
On WQX-Aria, Fred Plotkin considers the operatic potential of Shakespeare's The Winter's Tale, including whether the character of the bear should have a singing part.
Monday, August 01, 2011
The rehearsal process for an opera production is long and complex. Yet many younger of conductors don't dedicate themselves to working with singers properly, writes Fred Plotkin, which will be bad for the future of opera.
Thursday, July 28, 2011
Giuseppe Verdi understood the operatic potential of the tragedy Macbeth and made it his first work based on Shakespeare. It may be a rare case of an opera improving upon the original play, notes Fred Plotkin on WQX-Aria.
Monday, July 25, 2011
There is a generation of people who work in the performing arts, mostly in their 50s and 60s, who are known as “Gilbert’s Children.” All of us had the same master instructor and draw on his wisdom as if it were genetically part of who we are. Gilbert Hemsley (1936-1983) was the kind of inspiring teacher one is lucky to have. He drew the best out of each student and knew how to shine a light on every person’s strengths.
Friday, July 22, 2011
The term maestro has two meanings. It is a conductor, of course, but it also means teacher. To some degree, every conductor is also a teacher, but some few of them so fully embrace pedagogy that it seems to dwarf their other achievements. A few maestros are also composers. Mahler and Leonard Bernstein both belong in this category, as did Mendelssohn in his short life.
Tuesday, July 19, 2011
Many of the world's great opera companies double as ballet companies, including those in London, Paris and Russia. But has anyone lately mentioned the Metropolitan Opera Ballet? On WQX-Aria, blogger Fred Plotkin has a proposal for the Met.
Thursday, July 14, 2011
Opera fans know that Verdi wrote three brilliant operas based on Shakespeare: Macbeth, Otello and Falstaff. And then there is the great Shakespeare opera that Verdi struggled to create, but did not: Il Re Lear. Here's why.
Tuesday, July 12, 2011
On WQX-Aria Fred Plotkin reports on the Caramoor revival of Rossini's William Tell and asks: "What opera has been forgotten, ignored or badly served that you would present in five years?"
Friday, July 08, 2011
On WQX-Aria, Fred Plotkin reports on the revival of the Terrence McNally play "Master Class." "Daly fully stakes her claim as heir to a role that has prismatically brought forth distinct traits of Callas with each actress who plays her."
Tuesday, July 05, 2011
You may know the famous William Tell Overture but what about the opera it introduces? WQX-Aria blogger Fred Plotkin considers why it is often referred to as Rossini’s masterpiece.
Saturday, July 02, 2011
Kansas recently became the nation's first state without an arts agency. On WQX-Aria, Fred Plotkin considers the implications of that dubious distinction, and why "the arts will be our legacy as a civilization long after we forget who our politicians were."
Tuesday, June 28, 2011
Alice Plotkin (August 28, 1947-June 25, 2011), my beloved cousin, died this past weekend in New York, the city of her birth and the place where she most thrived.
Thursday, June 23, 2011
For the finale to his second season as music director, Alan Gilbert chose to stage Janacek’s The Cunning Little Vixen. Fred Plotkin offers an assessment of its significance in the operatic canon.
Sunday, June 19, 2011
As Tony Award winner Tyne Daly makes her return to Broadway as Maria Callas in Terrence McNally's biographical drama, "Master Class," Fred Plotkin considers the many actresses who have portrayed the famous soprano.
Thursday, June 16, 2011
Riccardo Muti concluded his five-year tenure as the artistic director of the Pfingstfestspiele (Whitsun) Festival in Salzburg on June 13 by playing one of his strong suits: the music of Luigi Cherubini (1760-1842). Muti has been a leading interpreter and champion of the Florence-born composer who is most famous for his opera, Medea.
Tuesday, June 14, 2011
On WQX-Aria, blogger Fred Plotkin claims a special feeling for the mezzo-soprano voices. "There is a warmth and sensuality to middle range voices (including the baritone) that exerts a special appeal." Alaska-born mezzo Vivica Genaux is in a case in point.
Monday, June 13, 2011
From Salzburg, Fred Plotkin reports on a revival of I Due Figaro, a forgotten operatic tale of Figaro, the character famously popularized by Mozart and Rossini. This one, however, comes via "a production without imagination."