Fred Plotkin appears in the following:
Thursday, May 02, 2013
"I wonder whether regular exposure to certain types of music, particularly opera and song, could favorably affect developing fetuses," writes Fred Plotkin.
Friday, April 26, 2013
There is a subset of orchestral composers who wrote gorgeous songs and had a clear understanding of the human voice, writes Fred Plotkin. One was Mahler. Another is Edvard Grieg.
Wednesday, April 24, 2013
Old school or new, singers approach Schubert’s “An die Musik” with a variety of nuances, tempos and inflections. Fred Plotkin considers eight different approaches, with video examples.
Saturday, April 20, 2013
Patrick Watson is both a trained opera singer and co-owner of Stinky Brooklyn, a cheese store in Carroll Gardens. His love of opera and cheese inspires Fred Plotkin to consider the two pursuits.
Tuesday, April 16, 2013
Florence's Maggio Musicale has suffered bombings, floods, managerial inattention and political maneuvering. But recent austerity measures in Italy are especially damaging, writes Fred Plotkin.
Friday, April 12, 2013
Montserrat Caballé turns 80 on Friday. Fred Plotkin considers the famed soprano – a sublime bel canto singer, dignified Tosca, notorious canceler and duet partner to Jose Carreras.
Wednesday, April 10, 2013
Opera fans are lurking among the student body at Columbia University, writes Fred Plotkin. "Opera companies would be wise to cultivate Columbia students for future audiences."
Thursday, April 04, 2013
Fans often express their frustration with opera administrators, writes Fred Plotkin. But just as influential, in most cases, are the boards that govern opera companies and provide a large part of the money.
Saturday, March 30, 2013
If a performance is "numbingly slow" with "no pacing to speak of, no structure or architecture to the rendering of the score" should the conductor be blamed? Absolutely, argues Fred Plotkin.
Wednesday, March 27, 2013
It's the ultimate opera cliche: the diva showered with bouquets of flowers as she takes her bow. But as Fred Plotkin writes, "Strong fragrances, even pleasing ones," can lead to thorny situations.
Sunday, March 24, 2013
The spectacle around Pope Francis's installation prompted Fred Plotkin to think about representations of popes and cardinals and potent Catholic figures in opera. Read on and share your own favorites.
Wednesday, March 20, 2013
Tuesday’s announcement that Alex Beard, 49, has been appointed as the new chief executive at the Royal Opera House at Covent Garden was remarkable for its speed, especially because Beard comes from outside the institution. Typically, such searches take a longer period because the supply of able and qualified individuals is always limited, even for such a prestigious post, as few people have the necessary qualifications.
Friday, March 15, 2013
Michael M. Kaiser, president of the Kennedy Center in Washington DC, sits down with Fred Plotkin to talk about the challenges facing the performing arts world -- and how to turn around faltering arts organizations.
Tuesday, March 12, 2013
Fred Plotkin offers young singers suggestions about things to think about as they develop their careers and personal lives.
Saturday, March 09, 2013
"Social media has enabled singers to feel connected and loved in ways that would have been inconceivable only a few years ago," writes Fred Plotkin. Still, life on the road can be a lonely pursuit at times.
Wednesday, March 06, 2013
This Saxon city, so beautiful and so marked by centuries of tragedy and glory, was Richard Wagner’s second home. Fred Plotkin tells us why it matters today.
Friday, March 01, 2013
Wagner’s Parsifal is not my favorite opera and I doubt it ever will be," writes Fred Plotkin. "And yet, it has taken rather firm hold of my imagination.
Tuesday, February 26, 2013
Operavore blogger Fred Plotkin considers the Met's next season, which has some conspicuously absent singers but also the return of conductor James Levine.
Sunday, February 24, 2013
Operavore blogger Fred Plotkin takes on marketing strategies and dynamic pricing in today's opera companies in his follow up article about the future of performing arts institutions and audience loyalty.