Kent Tritle is one of America’s leading choral conductors. He is founder and Music Director of Sacred Music in a Sacred Space, the acclaimed concert series currently in its 22nd season at the Church of St. Ignatius Loyola in New York City; in his sixth season as Music Director of the Oratorio Society of New York and fourth season as Music Director of Musica Sacra; Director of Choral Activities at the Manhattan School of Music; and a member of the graduate faculty of The Juilliard School. An acclaimed organ virtuoso, he is also the organist of the New York Philharmonic and the American Symphony Orchestra.
Highlights of Kent Tritle’s 2010-2011 season include performances of Handel’s Jephtha (St. Ignatius Loyola) and Israel in Egypt (Musica Sacra), and Mendelssohn’s Elijah (Oratorio Society of New York); premieres of works by Viktor Kalabis and Juraj Filas (St. Ignatius Loyola); performance and recording of new works by Daniel Brewbaker, Christopher Theofanidis, and Behzad Ranjbaran, among others (Musica Sacra), performances of such choral gems as Strauss’s Deutsche Motette and Beethoven’s Christ on the Mount of Olives (St. Ignatius Loyola); Brahms’s Ein Deutsches Requiem with the forces of the Manhattan School of Music; and the annual performances of Handel’s Messiah with Musica Sacra and the Oratorio Society of New York.
From 1996 to 2004, Mr. Tritle was Music Director of the Emmy-nominated Dessoff Choirs, winners of the ASCAP/Chorus America award for adventurous programming of contemporary music. Under his direction the Dessoff Choirs performed with the Cleveland Orchestra, New York Philharmonic, San Francisco Symphony, and Czech Philharmonic, as well as a nationally telecast Live from Lincoln Center concert of Mozart’s Requiem.
Kent Tritle has made more than a dozen recordings on the Telarc, AMDG, Epiphany, Gothic, VAI and MSR Classics labels. His most recent CDs with the Choir of St. Ignatius Loyola, Ginastera’s The Lamentations of Jeremiah and Schnittke’s Concerto for Choir; and Wondrous Love, music from 1,000 years of sacred repertoire, have been praised by Gramophone, the American Record Guide, and The Choral Journal.