A present-day sorcerer, a rising star, a beloved veteran, and Schubert-inspired Yiddishkeit: Operavores who enjoy great Lieder singing will find much to savor in these recent releases.

In the second of our two-part survey on new books for Operavores, we spotlight a book on the genesis of 15 great operas.

With springtime comes a bounty of new books for Operavores. In the first of two posts, we consider new books on urban history and a much-maligned composer’s modernity.

A documentary and ongoing concert project looks at the Terezín concentration camp, where inmates sang the Verdi Requiem for their own dignity and solace—and to challenge their Nazi captors.

As the Bach 360 festival turns its focus Sunday to J.S. Bach's cantatas, Operavore writer Marion Lignana Rosenberg considers the universality of the sacred vocal works, in light of a controversial recording series.

Gotham Chamber Opera is to give the New York premiere of Cavalli's 1668 opera about the decadent life of the notorious Roman emperor. It was among the first in a long line of racy topics.

Three recent recordings – by Jonas Kaufmann, Karina Gauvin and Max Emanuel Cencic – serve up wide-raging modes of delight and bravura.

The Lunar New Year began on Sunday, and the moon plans an important role in Giacomo Puccini’s Turandot, one of the most popular Western operas with an Asian setting.

A new exhibition at the Morgan Library & Museum and the premiere of a work by Kate Soper remind us of the abiding importance of the Orpheus myth.

In the face of a "dwindling of new works," an opera festival highlights ready-to-tour productions of modern chamber operas.

Blogger Marion Lignana Rosenberg lists the top five performances of 2012, plus five of the best opera recordings. And yes, there’s a lump of coal for those who served up duds.

Whether you’re naughty or nice, choosing presents for yourself or for others, our holiday picks will please even the most discerning opera lovers. Be sure to check out WQXR's Gift Guide too.

A new 600-page history of opera is a "bracingly intelligent postmortem" that "inspires a good deal of hope about a supposedly lifeless corpus," writes Marion Lignana Rosenberg.

"Every musical career has an arc, and right now Joyce DiDonato is at the apogee of vocal and artistic splendor," writes Marion Lignana Rosenberg. Tenor Nicholas Phan "seems in thrall to his illustrious forebear Sir Peter Pears."

Women and madness is a primal operatic theme, heard in everything from Monteverdi’s Arianna to Donizetti’s Lucia and on to Régine Saint Laurent, the overwrought title character in Rufus Wainwright’s Prima Donna.

Cecilia Bartoli is bald, vaguely sinister, and in ecclesiastical drag on the cover of her latest recording, "Mission." Tracing the evolution of her persona from the late 1980s to this can be revealing.