Nadia Sirota appears in the following:
Monday, September 26, 2011
So you may have noticed our attractive new logo; Q2 is becoming slicker by the minute! We have new web products rolling out soon as well, exciting! All of these fancy new duds have got me thinking about the visual representations of things -- how much what we see influences what we feel about something. To that end, this week is all about notation.
Monday, September 19, 2011
The weather, it seems, has finally broken and the Fall is truly upon us. Hooray Autumn!! All the various ensembles are starting back up post summer hiatuses, we get to enjoy un-iced coffee, and I personally can start ramping up for the Most Wonderful Time of the Year. I enjoy the holidays, and I’ve just found out that two of my close friends are playing this season’s Radio City Christmas Spectacular (my not-so-guilty pleasure; the first 15 minutes of that thing truly justify its being called a spectacular. Plus: boozy slushies with light-up swizzle sticks and 3-D and live camels and the Rockettes.) Everything’s gonna be fine.
Monday, September 05, 2011
It’s hard to believe that “September eleventh” was ten years ago. I moved to New York City eleven years ago basically to date, and that event still remains as vivid a memory to me as ever. This anniversary is stirring up plentiful emotions for me, and I imagine I’m hardly the only one for whom this is true.
Monday, August 29, 2011
So I’m currently tropical storm-stranded in Vermont. I had several intricate travel ideas which were aborted in turn and now I’ve found myself extremely far uptown the day after a friend’s birthday party/lamb roast in an absurdly idyllic setting made all the more romantic by torrential rainfalls and book reading and red wine-drinking and the consuming of the livers of some very giving chickens. There are worse things.
Monday, August 22, 2011
Summer Festivals are simply the best thing. My parents taught at BUTI when I was a little kid, and aside from two slightly horrifying summers at Girl Scout camp (where I did, incidentally, at least learn how to sail a Sunfish), I spent every summer of my life through age 24 at a music festival. It’s all about chamber music and picnicking, it really is.
Monday, August 15, 2011
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.” Can you guess which composer spoke these words? Don’t worry, I’ll wait!
Monday, August 08, 2011
This week we’re taking a cue from Lincoln Center’s Mostly Mozart festival and becoming hopelessly devoted to Stravinsky and his influence. Are you ready for serious childhood dorkery? Here goes; I am not ashamed. When I was in ninth or tenth grade, I cut the names of three composers out of construction paper (construction paper!!) and stuck them up on the window-free walls of my room.
Sunday, August 07, 2011
Recorded this past May at the Chelsea Art Museum, the 10th annual Look & Listen Festival hit the ground running with a comprehensive opening night program of contemporary art music by Michael Gordon, Phillip Glass, Julia Wolfe, Sofia Gubaidulina, Jason Treuting and Jan Radzynski. This is the first of four concerts from the recent 2011 edition, and you can hear the rest throughout the month of August, every Sunday right here on Cued Up.
Monday, August 01, 2011
The Rome Prize gives fellowships to “emerging artists and scholars in the early or middle stages of their careers who represent the highest standard of excellence.” There have been some pretty fab composers among the recipients, and this week’s got a ton of 'em.
Monday, July 25, 2011
There must be some deep-seated, funny, psychologically-sound logic behind the release of big-budget disaster films during the hottest months. Summer is a season of excess, and this week’s show features bombastic, over-the-top, Micheal Bay-esque music.
Monday, July 18, 2011
In New York, this season is all about extremes of temperature, and that's what we're exploring this week: music that has something to do with the steamy, lethargic, A/C-shivery weirdness that is the physical state of the body in summer. We'll hear music that's constantly toggling between serious heat (the subway platform) and air-conditioned briskness (the subway-self).
Sunday, July 17, 2011
Cued Up dives head first into the fearless, mystical sound world of composer-vocalist Meredith Monk. Recorded live in The Greene Space, Monk and Vocal Ensemble and the Todd Reynolds Quartet perform her original pieces.
Monday, July 11, 2011
My friends, it’s been so long! I’ve missed you all! I’ve been mostly in London and Reykjavik since we last talked, the former city to see Nico Muhly’s opera Two Boys (so good) and the latter to record viola things and schvitz. Along the way I played some great little shows, and one of the highlights of my trip was a recital with organist Jamie McVinnie and Nico Muhly at Westminster Abbey.
Tuesday, June 14, 2011
Greetings from sunny (I’m not kidding, the sun never sets) Iceland! I’m spending my days at Valgeir Sigurðsson’s Greenhouse Studios, where, to my surprise, June Hammered! guest host Bruce Brubaker is recording Drones and Piano, Nico Muhly’s work for the same. I had NO idea Bruce was gonna be here. Q2 party up in Iceland! Come Wednesday, I’ll begin to record Daníel Bjarnason’s viola concerto-like-thing Sleep Variations, for solo viola, harp, percussion, and ten additional violas, all of which I will record, Mwah-ha-ha-ha.
Monday, June 06, 2011
I have always relished the feeling of being “backstage.” There’s a crazy lovely thing that happens when you get to feel a sort of ownership for a huge historical building or site, be it a concert hall, a cathedral or a museum. When I was a little kid, I spent the summers at Tanglewood in the Berkshires, where my parents taught. This was a Tanglewood more or less unchanged from the days of Koussevitzky, where Bernstein and Copland were to be found eating in the cafeteria, and where Seiji Ozawa could be found zooming around in his sports car.
Monday, May 30, 2011
After a truly fabulous end-of-the-season run (our first pledge drive! MATA and VOX and Wordless, oh my!), I am taking a little June hiatus to go concertize and record around Europe. Rest assured, I'll be reporting back with exclusive videos and anecdotes from various projects, (cough, Nico Muhly's first opera, cough), so I won't be divorced from planet Q2, but I figured I'd take this week to play some of my favorite things (in Oprah's absence). One of these, apparently, is absurd overuse of parenthetical phrases in writing (I could switch to footnotes? Something something David Foster Wallace).
Wednesday, May 18, 2011
I am so unbelievably proud of Q2. This week marks our first ever pledge drive! (The public radio geek in me is pretty blissed-out by this, btw.) This is your chance to show how much New Music means to you!
Monday, May 16, 2011
New York is still bustling with festivals, festivals, festivals! This week in particular, there's some impressive programming courtesy of one of our favorite chamber ensembles, eighth blackbird. The versatile sextet has set up a short festival, called Tune-In beginning this Wednesday at the Park Ave Armory, based on Stravinsky's famous quote: "Music is, by its very nature, essentially powerless to express anything at all.”
Saturday, May 14, 2011
The symphony has undergone such transformation since it first emerged as a conventional form hundreds of years ago. Concluding Carnegie Hall's Spring for Music festival, Kent Nagano and the Montréal Symphony Orchestra explore the evolution of the symphony beginning with Giovanni Gabrieli's Sacrae Symphoniae for Brass and finishing with Anton Webern's Symphony, Op. 21. This evening, May 14 from 5 to 8pm, Q2 responds with our own take on this large-scale form as it has transformed into the twenty-first century.
Friday, May 13, 2011
This evening, Friday May 13 from 5 to 8 pm, Q2 continues work in tandem with WQXR's Spring for Music broadcast of the St. Paul Chamber Orchestra's performance with soprano, Dawn Upshaw. In addition to her role as a pedagogue and her career longevity as a singer, we draw inspiration from Upshaw's reputation for forging longstanding relationships with composers who have used her unique voice as their muse.