Olivia Giovetti

Olivia Giovetti appears in the following:

Amid Holy Days, Anna Caterina Antonacci Casts a Spell

Monday, April 09, 2012

Italian soprano Anna Caterina Antonacci made her long-overdue New York recital debut on Sunday at Alice Tully Hall. Operavore blogger Olivia Giovetti gives her review.

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Chasing Claire

Monday, April 09, 2012

This week, the New Canon streams its webcast premiere of Claire Chase's Terrestre, preceded by a new work from Radiohead's Jonny Greenwood and a re-issue from pianist Ursula Oppens and composer Frederic Rzewski.

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C'est si bon on Claire Chase's Terrestre

Monday, April 09, 2012

Exceedingly versatile and at times beguilingly gamine, flautist Claire Chase's newest album, Terrestre, has much to recommend it with works by Saariaho, Boulez and more. 

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In the Met's Traviata Revival, the Lady Vanishes

Saturday, April 07, 2012

Operavore Olivia Giovetti reviews the Met's revival of Willy Decker's controversial La traviata, finding the story revamped and reimagined through both directorial vision and some last-minute casting changes.

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The Art of the Comeback

Monday, April 02, 2012

Rolando Villazón and Natalie Dessay, two singers plagued by vocal setbacks in recent years, have new albums out. Can they mount a return to form? Find out in Olivia Giovetti's review.

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So Percussion Dances with John Cage

Monday, April 02, 2012

Spending an evening listening to So Percussion’s Cage 100 Bootleg Series is somewhat akin to sitting up all night in college, drinking red table wine, smoking Parliaments and discussing what it all means.

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New Albums from Cage, Clyne and Andriessen

Monday, April 02, 2012

The New Canon is back with a new format, focusing on new releases. Up first: A beguiling Anna Clyne, a visual quartet from Louis Andriessen, choral fixation from Jennifer Higdon and a Cage extravaganza courtesy of So Percussion.

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The Fundamentals of Opera, Courtesy of John Cage

Friday, March 30, 2012

"In his centennial year, John Cage is beginning to break through as being more than the guy who instructed a pianist to sit at a piano for just over four-and-a-half minutes and play nothing," writes Olivia Giovetti.

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Pleasure Supplements Vision in the Met's New Manon

Tuesday, March 27, 2012

It's easy to find fault in the Metropolitan Opera's new Manon, but why bother, argues Olivia Giovetti, who notes that the pure vocal beauty of the opening night performance makes up for the production's shortcomings.

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A Gesamtkunstwerk Grows in Brooklyn

Monday, March 26, 2012

Like the New York City Opera, the Brooklyn Philharmonic is in the midst of its first season as a touring ensemble. Blogger Olivia Giovetti reviews their latest concert of Brooklyn-themed works.

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Funny People

Friday, March 23, 2012

Where has contemporary comic opera gone over the last century? Operavore blogger Olivia Giovetti tracks it down in Hollywood.

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The Mendelssohn Club of Philadelphia Gets Vibrantly Vocal

Friday, March 23, 2012

The power of the prestigious Curtis Institute of Music aside, it's composers like Jennifer Higdon, Andrea Clearfield and James Primosch that help to make Philadelphia the sixth borough of New York.

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Opera at the Swipe of a Finger

Wednesday, March 21, 2012

Operavore blogger Olivia Giovetti takes the Met's new iPad app out for a test drive and looks at the current trend among arts organizations of making content available on-demand.

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At City Opera, an Uncozy Così With Some Qualified Rewards

Monday, March 19, 2012

"In his own way, Alden has created his own unsolvable enigma with his Così," writes Olivia Giovetti. Read on for her review of the director's take on Mozart's wife-swapping classic, now playing at City Opera.

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While Sounding at Home, American Composers Orchestra Nevertheless Goes Big

Saturday, March 17, 2012

Under the leadership of George Manahan, the ACO has renewed its commitment to the next generation of young compositional voices. Find out how and get a download from Kati Agóc's album opener, Pearls.

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Operas about Operas: Compelling or Confounding?

Thursday, March 15, 2012

In light of Lyric Opera of Chicago's newest commission, Operavore blogger Olivia Giovetti looks at the tradition of operas about opera and its interpreters.

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Warm Up: Thomas Hampson is a 'Cheap Drunk,' but Never on a Show Day

Wednesday, March 14, 2012

In the latest installment of Operavore's "Warm Up" series, Thomas Hampson reveals his secret to mediating his big thoughts with big roles.

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The Top 10 Film Directors Who Should Be Working in Opera

Monday, March 12, 2012

In a season where more directorial vision is needed at certain opera houses, blogger Olivia Giovetti looks at film directors leading operas and names her top ten picks for active artists to enter virgin territory.

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Anna Clyne Flutters to Life in 'Blue Moth'

Saturday, March 10, 2012

In her early 30s, composer Anna Clyne has already carved out an enviable niche for herself as a genre-defying composer. Hear what she's all about on her new disc for Tzadik, and get a free download this week only of "Fits + Starts."

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The Haussmannization of Opera

Friday, March 09, 2012

Laurent Pelly's Pelly’s production of Massenet's Manon, set to arrive at the Metropolitan Opera later this month, finds its inspiration in the architecture of France’s Second Empire (1852–70), writes Olivia Giovetti.

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