Celebrating Dr. Martin Luther King, Jr.
This episode of All Ears previously aired on January 16, 2010
Saturday, January 15, 2011
Martin Luther King, Jr. grew up listening to and singing church songs, and saw gospel and folk music as natural tools to further the civil rights movement.
This week we’re listening to A Beautiful Symphony of Brotherhood: A Musical Journey in the Life of Martin Luther King, Jr., which charts Dr. Martin Luther King’s musical biography. From the church songs that resonated with him to the classical music with which he wooed his wife, Terrance illustrates how Dr. King brilliantly harnessed the power of music to affect personal as well as universal change. We'll hear Marian Anderson and Pete Seeger, as well as Duke Ellington and Mahalia Jackson, all threads in the civil rights movement that helped Dr. King's cause.
We'll also hear examples of how the musical community responded to Dr. King's call to action--and continue his legacy today--with works by Leonardo Balada and Nicolas Flagello.
Playlist:
Precious Lord Take My Hand
Gospel
Stan Whitmire, piano
Green Hill Productions
Soon, One Mornin'
Spiritual
Various Artists
Smithsonian Folkways 40194
Gone With the Wind: Tara's Theme
Max Steiner
Charles Gerhardt, conductor
National Philharmonic Orchestra
RCA Victor
Ave Maria
Franz Schubert
Marian Anderson, voice
WNYC Archive
My Country 'tis of Thee
Traditional
Marian Anderson, voice
WNYC Archive
Brothers, Sing On
Edvard Grieg
Morehouse College Glee Club
MCGC 1990
Lonesome Trail Blues
Bumble Bee Slim
Document Records
Let's Do It (Let's Fall in Love)
Billie Holiday, vocals
Eddie Heywood and His Orchestra
Sony 85979
One O'Clock Jump
Count Basie and His Orchestra
Columbia/Legacy
Der Nussbaum No. 3, Op. 25
Robert Schumann
Marian Anderson, voice
Franz Rupp, piano
Nimbus 7895
Louise: Depuis le jour
Gustave Charpentier
Dorothy Maynor, soprano
Arpad Sando, piano
Bride Records 9233
Plaisir D'Amour
Johann Paul A. Martini
Paul Robeson, bass
Angel/EMI 15586
Symphony No. 2 in B-flat, Op. 21
George Chadwick
Neeme Jarvi, conductor
Detroit Symphony Orchestra
Chandos 9334
Piano Concerto No. 2 in B-flat, Op. 83
Johannes Brahms
Arthur Rubenstein, piano
Charles Munch, conductor
Boston Symphony Orchesta
RCA 63022
Lucia di Lammermoor: Regnava del silencio
Gaetano Donizetti
Beverly Sills, soprano
Thomas Schippers, conductor
London Symphony Orchestra
Deutsche Grammaphon 471250
The Alabama bus
Brother Will Hairston
Brother Will Hairston, vocals
Various Artists
Pony Canyon
Ain't Gonna Let Nobody Turn Me 'Round
Spiritual
The Freedom Singers
Smithsonian Folkways 5488
We Shall not be Moved
Spiritual
Various Artists
Smithsonian Folkways 5594
Elijah Rock
arr. by J. Hairston
Mahalia jackson, voice
Columbia 47083
Black, Brown, Beige: Black
Duke Ellington
The Carnegie Hall Concerts, January 1943
Fantasy Records
King Fit de battle of Alabama
Duke Ellington
Irving Bunton Singers
Sony
Guys and Dolls: The Oldest Established (Permanent Floating Crap Game in New York)
Frank Loesser
The Rat Pack Live at the Sands
Capitol records
Amen
Otis Redding
Otis Redding,voice
Rhino Atlantic
We Shall Overcome
Pete Seeger
Smithsonian Folkways 40096
We Shall Overcome
Pete Seeger
The Freedom Singers
Dorothy Cotton, vocals
Pete Seeger, vocals
Smithsonian Folkways 40062
Only a pawn in their Game
Bob Dylan
Columbia Records
Oh freedom
Odetta
Grammercy Records
Alabama
John Coltrane
John Coltrane, saxophone
Verve Records
Freedom Now Suite: Freedom Day
Max Roach
Max Roach, drums
Abbey Lincoln, vocals
Coleman Hawkins, saxophone
Candid Records
Fables of Faubus
Charles Mingus
Charles Mingus, bass
John Handy, Booker Ervin, Shafi Hadi, saxophones
Willie Dennis, Jimmy Knepper, trombones
Horace Parlan, piano
Dannie Richmond, drums
Columbia Reocrds
Change is Gonna Come
Sam Cooke
Sam Cooke,voice
ABKCO Records
People Get Ready
Curtis Mayfield
Curits mayfield and the Impressions
Geffen Records
Keep Your Eyes on the Prize
Spiritual
Robert Parris Moses, vocals
Smithsonian Folkways
There is a Balm in Gilead
Spiritual
The Florida A&M University Concert Choir
Smithsonian Folkways
Precious Lord Take My Hand
Gospel
Stan Whitmire, piano
Green Hill Productions
Precious Lord Take My Hand
Mahalia Jackson, voice
Columbia/Legacy
Precious Lord Take My Hand
Gospel
Stan Whitmire, piano
Green Hill Productions
The Passion of Martin Luther King
Nicolas Flagello
Raymond Bazemore, bass
Portland Symphonic Choir
James DePreist, conductor
Oregon Symphony
KOCH International 7293
Symphony No. 1 (Homage to M.Luther King)
Leonardo Balada
Enrique Garcia Asensio, conductor
Spanish Radio/TV Symph. Orch.
Albany 474


Comments [13]
Simply beautiful. An exceptional tribute to an extraordinary human being. And told with such sincerity and grace!
Outstanding feat of imaginative teaching/programing. Am forwarding this to colleagues and graduate school music students with whom I work as a mentor; this is a wonderful example of seizing opportunity to develop interdisciplinary study projects that are at once fascinating, relevant and electrically engaging. Can't think of a more mind-opening proof of music's multifaceted power. Thanks for a great afternoon of listening
Somehow, I felt a connection with this amazing program. You seemed to bring this precious human being back to life by showing the human side. I could visualize Dr King dancing the jitterbug. I enjoyed the program. It was a gift. Thank you.
If memory serves, Marian Anderson always avoided using the first person singular, referring to herself as "we"--not just when singing "My Country 'Tis of Thee," but always. Check it out with her nephew, the conductor. He should know.
The program is powerful, poignant, beautiful.
Thanks you so very much.
I spent the early years of my childhood in Newark. In an integrated neighborhood. Everyone on the block was colored. And then there was us. The white house. I lived in a three-family house with my parents, grandparents, and an aunt and uncle.
I was the only white kid on the block. The only white kid in my class at the Newton Street School.
On occasion I went to a nearby movie theater with my friends for a Saturday matinee. We were not allowed to sit in the front rows. We were colored. And at the soda shop afterward we were not permitted to sit at the counter. We were colored.
When my family subsequently moved to the suburbs--a community predominantly white--I discovered that I could sit anywhere I wanted in the movie theater and that I could sit at any lunch counter as well.
I knew then that I had come face to face with racial discrimination as a child.
So, inspired by memories of my friends, I became very active in the civil rights movement as a young lawyer, and volunteered for the Lawyers Constitutional Defense Committee (LCDC). I even walked the streets of my old neighborhood in Newark during the 1967 riots.
Your program brought back the memories. The cause. The commitment. The sadness. The joy.
Thanks for the memories.
frank j. miele
Thank you for your very moving Martin Luther King "Musical Journey" -- many of us accompanied Dr. King on that journey through the '60s & again, yesterday. When you announced Max Roach's "Freedom Now Suite: Freedom Day" I expected you would, of course, announce the suite's extraordinary Freedom Singer, Abbey Lincoln. I also hoped/expected to hear Dr. Billy Taylor's Civil Rights anthem, "I Wish I Knew How It Would Feel To Be Free." Apparently, Dr. King couldn't remember the long title, so he'd just turn to Dr. Taylor [at Birmingham] and say: "Play that Baptist-sounding song!" (Recalled by Kim Taylor-Thompson remembering her father at his Riverside Church memorial celebration last Monday. (The MLK request of Billy Taylor to "Play That Song!" was also mentioned by Kevin Struthers, Kennedy Center director of Jazz Programming.) Maybe new mentions for MLK Musical Journey 2012? Thank you, Patti Hagan
Terrance, this was a very moving program. There were many moments when I was moved to tears. It also gave me some insights on MLK's life that I never heard before or perhaps forgot. Just wonderful! The music highlights were also wonderful. I am now listening to the Flagello piece and find it also moving. I have heard other pieces of music of his and think he is one of many composers who I would call underrated.
Thanks for the wonderful program.
So delighted to read these comments. thank you.
Again, a wonderful show. It left me wanting to know more about Coretta Scott King. I did not know she was so accomplished as a singer and had achieved as much as she did before she met MLK. It seems, although details were absent in last nigh't show, that she gave up her promising career when she met her future husband.
What about a show about the (hidden) women of the civil rights movement? There was another woman, prior to Rosa Parks, who also refused to move her bus seat. I think she died recently and my understanding is she had a troubled background so was not an immediate choice for media attention a bus boycott would bring. Not to take away from MLK, but I think the story of all these women could be told. (also - Shirley Chisholm!).
Thank you for the show last night and all these programmes. Wonderful!
An incredibly moving show. My eyes are wet, but my soul is singing. Thank you.
Powerful, Moving. Thank you.
Thank you, thank you, thank you Terence for this wonderful program--I'm old enough to have lived through those times and to attend many local protest groups--particularly against the Vietnam War--you reminded me again about the struggle, which is still not over!
This program is wonderful, but it's making me miss your nightly show on WNYC so much. You are just not on the air enough, Terrance.
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