Sound Spectrum

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Saturday, February 23, 2013

(rwangsa/flickr)

This weekend, we explore the sound spectrum of New York City. We look through compositions as we do prisms, and hear colorful experiences on display.

Dawn Upshaw is featured twice on the show. Her lilting voice appears in Osvaldo Golijov's Three Songs, and then again with the Kronos Quartet singing a composition called Lacrymosa, by Dmitri Yanov-Yanovsky, an Uzbek member of the Silk Road Ensemble.

Although much of the music on this episode is not American per se, many of these composers and artists have performed here in the city. And many of these cultures exist right here. Another composer featured on the program is Henry Cowell who is very comfortable weaving into his compositions the sounds that he experienced here in New York. We listen to his Persian Set with Richard Auldon conducting the Manhattan Chamber Orchestra. 

Other selections include Marc Mellits's Lefty’s Elegy, Philip Glass’ Safe Journey and John Dowland's Lachrimae coactae Pavan, played by Fretwork. We end the program with Quartet San Francisco performing Irving Mills and Duke Ellington's The Mooche

 

Playlist:

Kifu Mitsuhashi: Yamato-Joshi

Kifu Mitsuhashi, shakuhachi

Celestial Harmonies

Shakuhachi Purchase

 

Philip Glass: Safe Journey

English Chamber Orchestra, Michael Riesman; Conductor

Orange Mountain Music

Safe Journey; Single

 

Marc Mellits: Lefty’s Elegy

Mellits Consort; Cristina Buciu, violin; Elizabeth Simkin, cello; Danny Tunnik, marimba; Dominic Frasca, guitar; Marc Mellits, keyboard.

Black Box

Lefty's Elegy

 

Dmitri Yanov-Yanovsky: Lacrymosa

Kronos Quartet; Dawn Upshaw, Soprano

Nonesuch

Lacrymosa (Album)

 

Heitor Villa-Lobos: Guitar Concierto

New York Philarmonic; John Serebrier, conductor; Sharon Isbin, conductor

Warner Classics

Guitar Concerto

 

Duke Ellington/Irving Mills/ Bubber Miley: Mood Indigo

Marcus Roberts, Piano

RCA

Mood Indigo

 

John Adams: Tromba Lontana

City of Birmingham Orchestra; Sir Simon Rattle, conductor

Angel/EMI

Tromba Lontana

 

Gavin Bryars: “The Green Ray”

Bournemouth Sinfonietta; Ivor Bolton, Conductor; John Harle, Saxophone

Philips

The Green Ray

 

John Dowland: Lachrimae Coactae Pavan

Fretwork

Virgin

Lachrimae Coactae Pavan

 

Osvaldo Golijov: Three Songs

Atlanta Symphony Orchestra; Robert Spano, Conductor; Dawn Upshaw, Soprano

Deutshce Grammophon

Three Songs

 

Henry Cowell: Persian Set

Manhattan Chamber Orchestra; Richard Auldon Clark, Conductor

Koch

Persian Set

 

Irving Mills; Duke Ellington: The Mooche

Quartet San Francisco

ViolinJazz Recordings

The Mooche

Comments [2]

Kenneth Bennett Lane, Lake Hiawatha, NJ from Richard Wagner Music Drama Institute, Boonton, NJ

HAPPY MOTHER'S DAY !!! If there is one person in anyone's life that all of us love and owe so much of our past and future to it us our moms. Communities and nations on the grand scale that treat the female with equality and respect her abilities to contribute in any job, business or profession and to participate on an equal basis with the males in religion, politics and all matters, those communities and nations ARE THE CIVILIZED ONES. Those that deny the female the open doors to life's possibilities are NOT civilized. Those not civilized societies belong in the DARK AGES, not the current century. My mom Celia was a lawyer and at her 90th birthday my brother Dr. Ben Lane, a nutritional optometrist, had arranged with the New York Academy of Optometrists at an annual meeting at a famous catering establishment to set aside a room to celebrate her birthday on that very day for a concert which I sang. BEN JONSON, the famous playwright of VOLPONE wrote the lyrics for DRINK TO ME ONLY WITH THINE EYES and dedicated it to his amour whose name was CELIA. That selection was one popular in our family's menu of choice songs. The concert was an hour long and included Foster's BEAUTIFUL DREAMER, Berlin's ALWAYS, Andrew Lloyd Webber's MEMORY from his Broadway musical CATS and Oley Speaks WHEN I GROW TOO OLD TO DREAM, all of which were favorites of my mom's. She was an accomplished lawyer, skier and mountain climber and accompanied my dad and brother on our vacation trips skiing, skating and climbing and to my four solo concerts in the main hallm of Carnegie Hall. She lived to reach 95 years, an inspiration to many born on May 22, 1903. Wagner's birthdate , May 22nd 1813, could that partially explain my wagnerian heldentenor? (sic !) Grieg's music is SO DYNAMICALLY WARM and APPROACHABLE. LIEDER plays a central role in my own concerts--four solo concerts in the Isaac Stern Auditorium of Carnegie Hall and elsewhere--Mahler's complete Lieder eines fahrenden Gesellen which I performed as part of my Ten Language Solo Debut in Carnegie's main hall and Wagner's complete Wesendonck Lieder which i sang in both my ALL-WAGNER concerts on Sunday, JUNE 18th, 1995 and Thursday, MAY 28th, 1998. On my solo debut at the same venue, I also sang songs by Grieg and Sibelius. The afore mentioned selections may be downloaded from my websites. I am a Wagnerian heldentenor, an opera composer, "Shakespeare" and "The Political Shakespeare" and director of the Richard Wagner Music Drama Institute. Here are my websites where one may download, free, my singing of 37 out of the 100 selections that I have sung in four solo concerts at the Isaac Stern Auditorium of Carnegie Hall by going to Recorded Selections: www.WagnerOpera.com, kennethbennettlane.com, kennethlane.org, www.ShakespeareOpera.com and www.RichardWagnerMusicDramaInstitute.com.

May. 12 2013 10:15 AM
Anne from NYC

Dawn Upshaw is mesmerizing in Three Songs. Great playlist. What's the photo of?

Feb. 23 2013 11:39 PM

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