-
1861 Hill organ at Ulster Hall, Belfast, Northern Ireland, UK (PictureCorrect Photography)
On this week's edition of Pipedreams, a diverse collection of musical friends teams up with the King of Instruments to make a glorious noise.
G.F. HANDEL: Organ Concerto in B-flat, Op. 7, no. 1 –Academy of Ancient Music/Richard Egarr (1998 Goetze & Gwynn/St. Jude’s-on-the-Hill, Hampstead Garden, London, England UK) Harmonia Mundi 8-7447/8
TAKASHI SAKAI: Fantasia for Organ, Shakuhachi and Koto, Op. 25 –Yukihiko Mitsuka, shakuhachi; Mihoko Ono, koto; Takashi Sahai, organ. Tecla 009
JOSEPH CLOKEY: Symphonic Piece (Dialogue-Scherzo-Fugue) –Andrew Gordon, piano; Brian Jones (1930 Aeolian/Longwood Gardens, Dupont Estate, Kennett Square, PA) AFKA 506
RUDOLPH BIBL: Two Adagios, Op. 39 –Donald Moline, cello; Randall Swanson (1983 Casavant/Saint Clement’s Church, Chicago, IL) Dorian 80148
EUGENE GIGOUT (orchestrated by Ropartz): Grand Choeur Dialogué –Philharmonic Ingolstadt, Alfredo Ibarra, conductor; Franz Hauk (1977 Klais/Ingolstadt Münster, Germany) Guild 7185
For more information about this program, please visit the Pipedreams website.
Comments [3]
Anyone leaving comments on the WQXR site should realize that unless I am poking around there (which is very, very rarely), I do not see them. If you have a question for PIPEDREAMS, please go to the PIPEDREAMS website (where you can hear both hours of the program) and use the 'mailbag' function.
www.pipedreams.org
Thanks!
Michael Barone
me too!
I would love to purchase a recording of Sakai's Fantasia for Organ, Shakuhachi and Koto that I heard on your show today but can't find anything on the internet. Can you help me?
Thanks.
Leave a Comment
Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.