Annie Bergen on Johannes Brahms's German Requiem

Brahms's Humanist Manifesto Remains As New As Ever

Friday, August 26, 2011

The above audio is from the opening of Johannes Brahms's Ein Deutsches Requiem (Teldec, 1995)

The requiem that stands out for me is the performance I heard of Brahms’s Ein Deutsches Requiem (A German Requiem) shortly after the attacks of September 11, 2001. The performance was by the New York Philharmonic under the direction of Kurt Masur at Avery Fisher Hall. A collective feeling of wounded angst could be felt as audience-goers entered the auditorium.

I remember that most were dressed in the dark colors of mourning. In a burst of solidarity we shot to our feet as the first notes of the Star Spangled Banner were played. Then, the orchestra’s executive director Zarin Mehta announced that there would be no applause at the end of the performance. Brahms’s “German Requiem” began, its first words “Blessed are those who mourn for they shall be comforted” acting as a time-released salve to the sorrow we were feeling. Tears flowed.

It’s thought that Brahms wrote his requiem as consolation after the death of his mother. On this occasion, after the September 11th attacks, the effect was so profound it was as if it had been composed that day. There was indeed silence at the end. Not being able to applaud diverted what would have been a release into a world of quiet contemplation. We were left with a confirmation of the extraordinary power of music to heal and comfort.

In recent years, at WQXR, I’ve become familiar with other requiems and two that have struck me especially are Maurice Duruflé’s Requiem, Op. 9 inspired by his love of Gregorian chant and Gabriel Fauré’s Requiem, a prayerful meditation that is consistently haunting and intimate, a work that strips away the terror from the pain of death to one of consolation and peace.


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Comments [9]

Sally Williams from Delmar, New York

Delighted to be listening to Annie Bergen on Amazon Echo during the blizzard in upstate New York. Today's playlist is just terrific.

Mar. 14 2017 12:16 PM
Emma MIssouri from Brooklyn

Why are there never any women composers aired on WQXR. There are certainly many great one.
Shame on you all.

Aug. 09 2016 01:04 PM
Thyyar Ravi from NY, NY

Can you please let me know your announcement about Indian mathematician that I missed on Srinivasa Ramanujam you made in your 10 am hour. ?May be a talk on him in New Jersey. It was great listening to you. Thanks.
Thyyar Ravi

May. 12 2016 11:05 AM
Joan L. Roccasalvo from Scarsdale, NY

Ms. Bergen:
The music linked to "Wolf Hall" shows a delicacy that pleases the ear. Thank you. The TV series however is highly inaccurate, especially regarding the facts about St. Thomas More.
Robert Bolt should have been consulted for the truthful portrayal of the saint.
Nevertheless, the music, separated from the series, is just fine.
Thank you.

Aug. 05 2015 12:13 PM
vito piscitelli from Nice, France

As part of your interest in giving away Maestro Pavarottis album for donations to the WQXR fund drive, may I kindly ask that you do Mr Pavarotti's memory the courtesy of pronouncing his name correctly. After all the years of sharing his enormous talent with us it is the very least you and your colleagues can do. Thank you.

Feb. 22 2014 01:00 PM
Larry Schwarz from Salt Lake City

I miss ''The Office Hour''.Hearing Typewriters going was a blast from the past.

Sep. 16 2013 04:05 PM
Bert Zackim from New York City

Annie, great to hear you, but to play Wagner, Hitlers favorite composer, and your station has the chutzpah to play his damnable ludicrous music.
What have you been thinking.

Jul. 22 2013 07:21 PM
Al Cameron


I am always glad to hear you. I wish you were on Full-time.

All my best to you,

Al Cameron

Jun. 18 2013 12:53 PM
Barbara J. Greenberg

Annie, where have you gone?? It's so nice to hear you again this weekend, I love Clayell, but I miss you on the radio!

Dec. 04 2011 03:51 PM

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