The champagne may be flat but we're still riding the celebratory wave of birthday boy Philip Glass's 75th by exploring the fertile genre of post-minimalism that he helped inspire. Tune in this week at 11 am and pm for reworkings, reinventions and revampings of Glass-brand minimalism.
Last week there was a nice cross-current of influence here at Q2 Music. We celebrated Glass's birthday with a premiere Webcast of his Ninth Symphony and also hosted a preview concert for the second annual Ecstatic Music Festival live at the Greene Space. Hearing that performance at the Greene Space is in many ways hearing the far-reaching impact of Glass's most rudimentary musical tenets, but what's remarkable is how uniquely these tenets have been recast.
This is the music you'll hear this week. We'll frame each program with a brief piano piece from Glass and quickly turn to music that is related to, but almost unrecognizable from, the Glass style. Kind of like distant third cousins. Possibly half removed. On Monday we'll hear music of Marti Epstein, Stephen Scott (a bowed piano piece Music One for Bowed Strings that is not to be missed!) and an enormous work by William Duckworth called The Time Curve Preludes.
Later in the week catch post-minimalist masterpieces by Ingram Marshall, Kyle Gann and John Luther Adams, along with up-and-comers Jacob Cooper, Andy Akiho and Eliot Britton.