On The New Canon this week, we look to another centennial with the 100th birthday of John Cage, asking disciple, composer and Avant Music Festival curator Randy Gibson: Where do we see the influences of Cage today?
Even more than last week's birthday boy Philip Glass, John Cage is one of those composers whose influence is undeniable—just as undeniable as how heatedly he divides fans and detractors. And as the composer's centennial approaches, we have more than 4'33 of silence to pour out in his memory. In fact, Glass and the minimalists can owe their reputation to Cage, who once quipped, "If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all."
First stop is the third annual Avant Music Festival, which opens on the Feb. 10, features an evening-long Cage marathon, and is co-curated by composer Randy Gibson. Randy takes brand loyalty to a whole new level with his tattoo, the opening to Cage's iconic Winter Music, and makes the perfect person to break down Cage's lasting influence.
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