On 169th Birthday, Grieg Becomes an Unlikely Icon

Tune in to WQXR on Friday to Hear Grieg's Lesser-Known Works

Friday, June 15, 2012 - 12:00 AM

An illustration of the Edvard Grieg oil field An illustration of the Edvard Grieg oil field (Lundin Petroleum)

Composer Edvard Grieg, the icon of Norwegian music, was born 169 years ago Friday. The native of Bergen dedicated his career to the pursuit of "a national form of music, which could give the Norwegian people an identity," as he once put it.

"Norwegian folk life, Norwegian sagas, Norwegian history and above all Norwegian nature have had a profound influence on my creative work ever since my youth,” the composer told a music historian from America in 1900.

The composer in turn remains a national symbol. On Monday, Norway's parliament approved construction of the Edvard Grieg oil platform in the North Sea. Said to be the first stand-alone platform off the coast of Norway, it is predicted to hold about 183 million barrels of oil when it opens in 2015. The platform will sit in the Edvard Grieg oil field.

Not to be outdone, the Quality Hotel chain announced Wednesday the expansion of the Quality Hotel Edvard Grieg, located near the Bergen airport. According to the Norwegian travel website Boarding.no the hotel will have 373 rooms, 11 new meeting rooms and a sprawling conference center.

One could question such associations with a composer whose home, Troldhaugen, overlooked the picturesque Nordås Lake and inspired many pieces about nature's unspoiled beauty.

Regardless, Grieg has a achieved a prominence in popular culture that arguably outweighs his stature in concert halls, where he is regarded (perhaps unfairly) as a composer of secondary significance. Beyond the numerous appearances in cartoons, commercials and video game soundtracks, there was the prominent use of his In The Hall of the Mountain King in the Oscar-winning film, "The Social Network." And there's a widely seen flash mob video that made the rounds last month (3.4 million views to date):

In honor of Grieg's birthday, tune in to WQXR Friday to hear relative rarities like his Sigurd Jorsalfar Suite, Op. 56; Haugtussa (The Mountain Maid), Op. 67: Blueberry Slope; Kidlings' Dance; and Symphonic Dance, Op. 64/2.

Tell us about your favorite Grieg piece below and watch this recent performance of his Piano Concerto, played by Alice Sara Ott:

Tags:

More in:

The WQXR e-newsletter. Show highlights, links to music news, on-demand concerts, events from The Greene Space and more.

Comments [3]

Les from Miami, Florida

Correction: Sorry, there are 66 Lyric Pieces. I've heard only 31 of them.

Jun. 16 2012 10:43 AM

Some years ago, I had the pleasure of playing in a college/community orchestra that performed the Grieg Piano Concerto. As beautiful as it may be to listen to, it is also a beautiful work to perform. While the first movement may be the best remembered, the second with its horn calls, tinkling piano runs and deep and lush strings, is the one that sings 'Norway' because it brings to mind images of shepherds' horns echoing across lush pastures drained by cool mountain streams that as majestic high waterfalls tumble into deep blue fjords. It is a memorable experience to sit midst an orchestra while performing that work.

I've never played any of the other works slated to be played in honor of today, but I am pleased WQXR will feature some lesser played works of Grieg on his birthday. Thank you 'QXR.

Jun. 15 2012 10:41 AM
Les Bernstein from Miami, Florida

I love hearing the 31 "Lyric Pieces". Can that count as one work? I think Grieg's gift is that of a master miniaturist. I never get tired of hearing "Wedding-Day at Troldhaugen", either in its original or orchestral guise, so I'll choose that one. Every time it concludes, I can't wait to hear it again! The slow movement of the Piano Concerto always moves me to tears, especially if it's played by Rubinstein. That's my favorite movement, followed by the first. For some reason, I've never cared for the last movement at all, perverse as that may be. I also can't imagine life without the Peer Gynt suites, especially if played by Fiedler or Ormandy, with their respective orchestras. So for me, it's a toss-up between the slow piano movement and "Wedding-Day at Troldhaugen", but I'll stick with "Wedding-Day at Troldhaugen".

Jun. 15 2012 09:44 AM

Leave a Comment

Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.

Follow WQXR 

Sponsored

About WQXR Blog

Engage and interact with the WQXR hosts online.

Feeds