New York Virtuoso Singers Celebrate 25 Years with 25 Premieres

Q2 Music Album of the Week for October 4, 2013

Friday, October 04, 2013

25 years, 25 composers: founded in 1988, the New York Virtuoso Singers are celebrating a quarter century of music-making by commissioning and performing works by over two dozen of today's most celebrated composers. Under conductor Harold Rosenbaum, the Virtuoso Singers have always been friends of contemporary music, but with this latest project, they've created – all at once – a little repertoire of important contemporary choral works.

The proof is in the recording. "25 x 25," a new two-disc set compiling their anniversary commissions, is a dazzling little jewel-box of choral writing that demonstrates the ensemble's willingness to live up to their name. These composers have come up with 25 different approaches towards the process of writing for the human voice, and the results are 25 different examples of choral virtuosity.

In most cases, the music grows outward from the text, painting it through music like a Renaissance madrigal. David Del Tredici's dizzying Alphabet II, sets an 18th-century abecedarian poem with trademark whip-crack melismas, while Save Me, O God by Yehudi Wyner brings Psalm 69 an operatic intensity, as a wrenching cry from the depths. 

It's not just about hitting the high notes—there's also the matter of rhythmic virtuosity. Stephen Hartke's Audistis quia dictum est couches Jesus's sermon about "turning the other cheek" in rhythms that perplex rather than comfort, to tease out the essential mystery of Christian ethics, and David Lang's the same train uses the repeating structure of a traditional gospel hymn to create a series of unsettling rhythmic variations.

And then there are the composers for whom the text is just a jumping off-point, a high-dive to plunge the listener into waves of pure sound. The great sonic swoops in David Felder's harmonically luminous Nomina sunt consequentia rerum, or in Augusta Read Thomas's Spell – her elegy for Elliott Carter – are like the curves of an abstract sculpture.

There's an immense richness to the variety of compositional voices displayed here. If at all possible, listeners should savor these pieces slowly, like a box of birthday confectioneries, to preserve the distinctive pleasures of each individual morsel.

*Sign up by Oct. 9 for a free download of David Lang's the same train in this week's newsletter:

 

'25 x 25: 25 Premieres for 25 Years'
Soundbrush Records | Rel. Oct. 8 

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Comments [2]

Q2 Music

Thanks for the catch, David!

Oct. 08 2013 11:14 AM
David

TYPO: It's Joan Tower who composed "Descending," not "John" Tower.

Oct. 07 2013 06:40 AM

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About Q2 Music Album of the Week

Q2 Music's Album of the Week is our weekly review of the newest and most dynamic contemporary classical releases. It focuses on musical discovery, world premiere recordings and fresh perspectives on today's classical landscape. Read our review and stream the album on-demand for one week only at www.wqxr.org/q2music/

 

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