Tag: John Adams
From the Archives: American Mavericks
John Adams and Writing an American Opera
Tuesday, March 13, 2012
In this 1995 interview from the WNYC archives, John Adams talks with host John Schaefer about his new opera I Was looking at the Ceiling and then I Saw the Sky, finished just a week before the interview took place. Adams explores what sets this opera apart from his earlier efforts and how it resembles the form of the American musical. Cast members from the production perform live in-studio.
WQXR Blog
Singing Terrorists: Death of Klinghoffer Gets London Premiere
Monday, February 27, 2012
No opera has been dogged by controversy over the last two decades as John Adams's 1991 work The Death of Klinghoffer. That was the case again this weekend at its London premiere.
Q2 Music Live Concerts
Michael Tilson Thomas and John Adams in The Greene Space
Tuesday, December 20, 2011
On Monday, March 26 at 7 pm, Q2 Music welcomes San Francisco Symphony music director Michael Tilson Thomas, composer John Adams and the St. Lawrence String Quartet to The Greene Space.
WQXR Blog
Composer John Adams Reflects on Pulitzer Work, Public 'Overreaction' to Sept. 11
Wednesday, September 07, 2011
Composer John Adams, looking back at On the Transmigration of Souls, his 2002 piece remembering Sept. 11, expresses satisfaction with the work's success, but also concerns about the public's "orgy of self pity."
Q2 Music
A Musical Memory Space
Friday, August 12, 2011
John Adams was one of the first major composers to take on the challenge of writing a work to commemorate the events of September 11, 2001. His Pulitzer Prize-winning work On the Transmigration of Souls is something of a sound collage, performed by orchestra and choirs along with pre-recorded ambient sound: we hear a voice reading names of people who were lost in the towers, the choirs singing reminiscences of their family members.
WQXR Features
Decade 9/11: Responses in Classical Music
Sunday, August 07, 2011
Writing a piece about a major disaster, war or other crisis is one of the bigger challenges a composer may face. In this guide to pieces about September 11, we explore how every composer faced a specific hurdle and how they arrived at a given solution.
Cued Up
Primal Counterpoint
Sunday, July 31, 2011
Rhythm is often experienced in a very primal way, and perhaps it is because of its organic presence within our own existence. This week's Cued Up orbits around the rhythms of composers Andy Akiho, John Adams, Daniel Wohl, Julian Day and Filippo Perocco.
The New Canon
John Adams's Rib
Monday, July 11, 2011
John Adams, the composer of Nixon in China and Doctor Atomic, is having a banner summer. Soprano Jessica Rivera and flutist Eric Lamb enter The New Canon to discuss his powerful and potent allure.
Q2 Music
Spring Fever: Music in Time of War
Thursday, May 12, 2011
Artists have often used their art as a means of making sense of the horrors of war and taking a political stance: from Salvador Dalí's painting Face of War to Kryzstof Penderecki's string orchestra work Threnody for the Victims of Hiroshima. On May 12 as part of Carnegie Hall's Spring for Music Festival, the Oregon Symphony takes the stage and presents a program titled Music for a Time of War featuring cornerstone works by John Adams, Charles Ives, Benjamin Britten and Ralph Vaughn Williams.
Operavore
Two Adams Combine their Ribs for an Operatic Eve
Friday, April 01, 2011
Earlier this morning it was announced that composers John Adams and John Luther Adams will be collaborating on an opera—the former’s seventh and the latter’s first. Their proposed subject matter? An opera based on the life of Sarah Palin.
Metropolitan Opera
Adams's Nixon in China
Saturday, February 12, 2011
John Adams's landmark 1987 opera tells the story of Richard Nixon's 1972 visit to China and his meeting with Mao Tse-tung. On today's broadcast, James Maddalena reprises his landmark role as the disgraced former president while the composer leads from the pit.
Hammered!
Piano Casserole
Monday, January 24, 2011
A lot to digest last week, no? The Ecstatic Music Festival marathon gave us a taste of its "multi-genre" offerings, performer-composers flourished in unique collaborations, and Q2 was blarring John Adams's El Niño, which typically ends with head-banging to "Shake The Heavens." This week on Hammered!, too much of last week's good things means reheating the uneaten pianistic highlights and serving them anew.
WQXR Features
Nixon in China: An Insider's Perspective
Monday, January 24, 2011
U.S. diplomat Winston Lord had a nearly four-decade long relationship with China, including a front-row seat to the historic 1972 meeting between Nixon and Mao, the subject of John Adams’ opera Nixon in China. The opera has its Met premiere on Wednesday.
Q2 Music
John Adams' Operatorios
Monday, January 17, 2011
In advance of the Metropolitan Opera premiere of John Adams' opera Nixon in China Q2 is presenting all four of his operas as well as his one oratorio, El Niño, every night this week at 7 pm.
Hammered!
The Third Law of Classical Mechanics
Monday, January 10, 2011
Music is historically a very reactive material: Renaissance motets paraphrased liturgical chants; sonata structures were modeled on Mozartean tonal schemes; "Choral" symphonies were (at least) a century-long preoccupation. This week Hammered! investigates musical actions and reactions in the modern era, showcasing compositional "causes" and "effects".
Hammered!
A New Year In New Music
Monday, January 03, 2011
With annual retrospectives tapering off and best-of lists becoming so-last-year, it's time to ratchet our sights 180 degrees and look ahead to a new year in new music. This week on Hammered! we'll supply the soundtrack to a coordinated survey of 2011's contemporary music highlights in New York City.
Hammered!
That Time Of Year Again ...
Monday, December 27, 2010
As the New Year looms and another 365 day cycle prepares to reset, we at Hammered! started thinking -- as any good contemporary music show should -- about John Adams. To what clock does music like his set its watch? This week Hammered! investigates by offering piano works that confront notions of time-ticking and temporal organization.
