Tag: Matmos
Q2 Music
Awake with NOW Ensemble, Chiara and Matmos
Thursday, March 01, 2012
Join us Thursday at 7 pm to hear a performance by NOW Ensemble, Chiara Quartet and Matmos celebrating two CD releases at the Greenwich Village venue (le) Poisson Rouge.
Cued Up
Don't Mess Up. Listen to This.
Sunday, June 19, 2011
Listen to Chiara Quartet, NOW Ensemble and Matmos share a concert bill that spans the outer reaches of haunting string quartets, groovy electronic experimentalism, and instrumental chamber pop intricacy.
Cued Up
Electroacoustic Storm
Sunday, November 07, 2010
One of the conspicuously binding forces between the music of concert halls and dance halls in the past fifty years has been the use of electronically generated sounds. In other words, if there was a Venn diagram that included Stockhausen and Lady Gaga, or David Tudor and N.W.A., the overlap would be electronics. This Sunday, November 7 at 2 p.m on Cued Up on Q2, listen to some of host Nadia Sirota's favorite electroacoustic performances from New York City.
Cued Up
Live from (Le) Poisson Rouge on June 6, 2010: Two Giants Form a Gestalt
Sunday, September 26, 2010
This Sunday, September 26th at 2pm, Q2 invites you to listen to the collaboration of Baltimore's head-bopping experimentalists, Matmos, and Brooklyn's avant-classical percussion mainstay, So Percussion. Recorded at a concert at Le Poisson Rouge on June 8th, they present material from their recent album, Treasure State, which pairs uncompromised sonic creativity with primal rhythmic expression.
Q2 Music Live Concerts
So Percussion and Matmos
Thursday, June 17, 2010
Childhood is a magical time when imaginations run freely and we create to our hearts content. Fortunately for musicians, the fun doesn't end in kindergarten art class. In celebration of the release of their collaborative album, Treasure State, So Percussion and Matmos take the stage on June 8 at (Le) Poisson Rouge, proving that uninhibited creativity can go a long way toward making music -- and that even cactus needles can be used as evocative instruments.
