Saddam Hussein's Iraq ?!

Response to George Jochnowitz from New York:
There is not a single Arab member of the IPO, in all its 232 positions, musicians, administrators or managers.

Saddam Hussein's Iraq, Egypt, Jordan, Syria, Lebanon, Libya, Tunisia, Morocco, etc. etc. are all countries where Arab women can become doctors, and where there are many female Arab doctors.

How about bringing the West-Eastern Divan much more regularly to the Carnegie Hall? Musically they are definitely equal if not superior to the IPO and they carry a rather agreable political message.

The Israel Philharmonic Orchestra is open to Arab musicians, including Arab women. Israel is also a country where Arab women can become doctors.
http://www.israel21c.org/people/israeli-female-arab-physician-breaks-the-glass-ceiling-twice

It ultimately comes down to this: do you take into account the politics of a country where an orchestra hails from when buying concert tickets? Do you protest the Mariinsky Orchestra of St. Petersburg given that Russia doesn't uphold democratic principals? Or do you boycott the Shanghai Symphony, which also exists under a repressive regime?

To me, the real protests should be directed at the Vienna Philharmonic, whose very core is built on a foundation of sexual and racial discrimination. See:

http://articles.sfgate.com/2011-02-20/entertainment/28611812_1_finest-orchestras-vpo-top-orchestra

The assertion that an orchestra established in 1936 was "formed out of the ashes of the Holocaust" is patently absurd. The preponderance of senior citizens in the IPO audience argues for a smaller, rather than larger, police presence, given that the rare acts of violence at these protests are, without exception, perpetrated by "pro-Israel" passers-by. In the present case, the only incident of which I'm aware was a male, middle-aged concert-goer who struck me in the chest after reading a mock program critical of the IPO's role in white-washing Israel's deservedly tarnished image. I've come to expect this kind of poor self-control and casual violence from Israeli settlers, but it was still depressing to encounter it in front of Carnegie Hall.

I would take issue with the contention that the IPO is a world class orchestra, if the one concert I heard them play, at Carnegie Hall, is representative. It was a program of standard works by Brahms (the violin concerto and second symphony), under Mehta. It was probably the sloppiest performance by a professional orchestra I've ever heard; inexcusable in this repertoire.

Then, the American Friends of the IPO, merely by virtue of the fact that I'd purchased a ticket, subscribed me to their newsletter under the assumption that I WAS one. I am not! Chutzpah!

Oh, and by the way, semitic is not a synonym for Jewish. Palestinians are, by and large, also semitic, last time I looked. (I could be wrong, but I will not be categorical.)

OK, in the spirit of not being categorical, I should allow for the possibility that the IPO is not not a world class orchestra. How's that!

Its great that this article mentions the Jewish boycott and protest of the Leningrad orchestra. Did Jews then hate Russian music or culture? No, but they rightly felt that the orchestra was a representative of an oppressive regime.

It sounds like the Jewish and Palestinian protestors out in front of Carnegie Hall for the IPOs visit were actually much more restrained than the Jews were back in 1973.

As the signs said: Justice-- Presto, not Lento!
www.adalahny.org

There was never any threat of violence; there never is at these affairs, except occasionally by supporters of Israel's every activity, against the demonstrators. What the protest is actually about is not in the article: the orchestra is an active and important part of the "Brand Israel" program initiated in 2006 by the Israeli Foreign Ministry. The program tries to “show Israel’s prettier face" and distract attention from the illegal occupation of Palestine. A country that flouts international law and brags of impunity cannot then claim that its art is separate from its politics; the orchestra, like other Israeli institutions, has done nothing to stop its government's murderous suppression of the national rights of indigenous people.

Let us bear witness to the Palestinian culture under attack every day since 1948. The Israel Philharmonic is not under attack for its cultural merit, but for it's complicity in the propaganda campaigns of Israel's apartheid government.

Thousands of Muslims are being slaughtered by their own brothers as we speak....and all they can protest is the presence of a world class symphony orchestra formed out of the ashes of the Holocaust in a country that has never had a day of peace in its 63 year existance?
Shame on them for their anti-Semitic double standard!

Everyone has the right to protest, even if you don't agree with their point of view. And it takes a lot of courage for Palestinians to protest in a place like New York, a city with a large Jewish population.

2011 is becoming the Year of the Revolution and thank heavens for that. The creation of Israel in 1948, which dislodged 700,000 Palestinians, and the continuing theft of their land for more than 60 years now, which caused the death of countless others, are more than enough reasons to protest. Good for them and keep it peaceful.

It is fortunate that everything was peaceful.
Considering the unusually large share of senior citizens attending symphonic concerts, it would be hoped that more than 6 or 7 policemen would have been immediately available if violence broke out.

It's a shame that Palestinians are organizing such hateful protests. They want to destroy everything, including culture