Today's show puts the spotlight on one of America's most interesting and artistically innovative periods: the post-war years, stretching from the 1950's to the 1970's. But that's not all: today's focus is ALSO about the instrument that every composer must write for, probably again and again: the PIANO.
Streams Thursdays at 3 pm and Sundays at 8 pm on Q2 Music
Brad Balliett and Doug Balliett — identical twin composers and performers from Massachusetts — have been performing together and collaborating for nearly thirty years. As bassoonist and double bassist (respectively) they perform as a duo and with groups all around New York, including the new music ensembles Deviant Septet, Metropolis Ensemble, Argento, Signal, and Alarm Will Sound, with chamber ensembles The Declassified and Ensemble ACJW, with symphonies such as Handel & Haydn and the Hartford Symphony, and a host of other diverse ensembles.
Dedicated rappers, the brothers, along with Elliot Cole, make up The Oracle Hysterical and create pioneering hip-hoperas, rap cantatas, poperas, and so forth. Performances of these works have taken them around the world.
The Balliett brothers are fiercely competitive and work tirelessly to one-up each other. This drive creates a self-fueling passion to write the best work, listen to the best music, and learn as much as possible. They are thrilled to be joining Q2 Music's roster of personalities.
The Brothers Balliett have a ten-point Manifesto which will guide this show:
1. We are the Brothers Balliett.
2. We believe that the best music is the music that excites the best curiosity, excitement, passion and conversation.
3. We believe in music that bears repeated listening and offers something new with each visitation.
4. We believe that stretching the ear is a way to stretch the mind.
5. We believe in the continually ceaseless creativity of composers everywhere.
6. We believe that music must reflect the time in which it was written, and that all eras deserve representation.
7. We believe that great nations should strive to attract and support great artists.
8. We believe in absolute artistic freedom, unfettered by trend or dogma.
9. We believe that the power of ideas, creativity, and personality can shape a city's character.
10. We believe in the groove.
Thursday, July 10, 2014
Did you ever consider taking your favorite toy as inspiration for a new composition? We hope you did, but if not, don't worry: this Thursday at 3 pm, dive into pieces by composers, such as Nathan Davis and Sofia Gubaidulina, who took inspiration from childhood trinkets like toy pianos.
Thursday, July 03, 2014
Continuing a series of portrait concerts without their subjects' foreknowledge, advice, or permission, the Brothers Balliett explore the whimsical and fanfare-laden world of internationally-recognized composer Andrew Rindfleisch. Listen today at 3 pm.
Thursday, June 26, 2014
We may think we know a lot about 20th century composers, but there are certain music makers who go unprogrammed and rarely discussed. Join the Brothers Balliett Thursday at 3 pm to dig into this sometimes-forgotten past.
Thursday, June 19, 2014
Let's face it. Some days you wake up and you say to yourself, "you know, this is just a FLUTE kind of day." Well, guess what, folks? Today is one of those days. We're taking a journey from solo flute through chamber music and clear out the other side into flute concerto territory. So buckle up and set your equalizers on "high."
Thursday, June 12, 2014
The Brothers Balliett are diving into the work of Barbara Harbach this week, a prolific composer who runs her own publishing company. We'll hear a range of music from Ms. Harbach during this guerilla portrait airing Thursday at 3 pm.
Thursday, June 05, 2014
Stop looking for monsters under the bed—look no further than the low woodwind section. Join the Brothers Balliet today at 3 pm as they explore why composers always seem to depend on the bass clarinets, bassoons, and others to embody the ferocious.
Thursday, May 29, 2014
Thursday at 3 pm, the Brothers Balliett explore music built on the poetry of Romanian-born composer Paul Celan – leader of a harsh and often tragic life – courtesy of Michael Nyman and Harrison Birtwistle.
Thursday, May 22, 2014
Not only is NYC-based Richard Carrick a stellar composer, he's also a conductor, pianist, guitarist and new music ensemble leader that is quickly defining a new kind of kapellmeister role in the new-music scene. He joins the Brothers Balliett Thursday at 3 pm.
Thursday, May 15, 2014
Writing music over top of other music is nothing new. Today at 3 pm the Brothers Balliett explore some of the most exciting and contemporary examples of musical graffiti writers, from Max Richter to Uri Caine and Wolfgang Rihm.
Thursday, May 08, 2014
We don't often think of hyper-modernist composers Helmut Lachenmann and Luciano Berio as storytellers, but when they create a piece that sets a scene, they both go all the way (in completely different ways). Join the Brothers Balliett Today at 3 pm.
Thursday, May 01, 2014
Orchestration is the successful good-looking cousin of composition. Beneath its slick veneer lies a vital component to the expression of a musical idea. Today at 3 pm, join the Brothers Balliett for sparkling orchestrations by Takemitsu, Abrahamsen and Parkins.
Thursday, April 17, 2014
It's no secret the the Brothers Balliett love the music of Franz Schubert, whether it's tearing through the Trout Quintet or sobbing through Die Schoene Muellerin. Today at 3 pm, they take a look at Schubert's impact on today's music through works by Nick Didkovsky, Bruno Mantovani and Hans Zender.
Thursday, April 10, 2014
What happens when a master composer spends over ten years on a piece of music, constantly reworking the motives, finding new and ever-more-fascinating transformations and contexts in which to work his ever-changing material? Join The Brothers Balliett Thursday at 3 for a listen to Wolfgang Rihm's mammoth Jagden und Formen.
Thursday, April 03, 2014
Myths have inspired works in all media for millenia; some might even say that the expression mythology was the BIRTH of the arts. Today at 3 pm, the Brothers Balliett take a listen to two stunningly different musical adaptations of the myth of the Greek deity Hyperion.
Thursday, March 27, 2014
Today at 3 pm, the Brothers Balliett take a look at that oh-so-unselfish form, the double concerto – music for two soloists and orchestra. Featuring music of Peter Maxwell Davies and Philip Glass.
Thursday, March 20, 2014
Does contemporary music need to be exquisitely written out with Ferneyhough levels of expressive detail? Do scores need to reflect every nuance, every slight bending of time, every possible elaboration of the melody? Today at 3 pm, the Brothers Balliett consider a group of composers for whom improvisation is essential to the execution of their artistic vision
Thursday, March 13, 2014
Although self-professed symphonies, concertos, and suites are far from disappearing (new examples are created each year), many composers are feeling an impulse to give their pieces an utterly unique name. This week the Brothers Balliett look at four composers that lean towards the unique and imaginative side when titling their work.
Thursday, March 06, 2014
What is a prelude? There are many conceptions and definitions floating around out there, but the Brothers Balliett define it as a short instrumental work that explores one musical concept or idea. This week's show curates a brand new book of preludes in the tradition of Debussy and Scriabin.
Thursday, February 27, 2014
Did you ever notice just how high Italian composers write? From Puccini to Scelsi to Berio and everywhere in between, the Italians seem to love the highest range on each instrument, and as Oliver Knussen as pointed out, each generation seems to push the limits a little bit higher.
Thursday, February 20, 2014
Why is Michael Nyman so awesome? Is it because he writes whatever he wants, unfettered by trend or dogma? Is it because he chooses beautiful harmonies, but is always searching for that new chord? Or is it just that his music is so damn groovy? Whatever it is it all adds up to be just to the tastes of the Brothers Balliett.