Nadia Sirota

Streams Weekdays from 11 AM to 1 PM on Q2 Music

A linchpin of New York's indie-classical scene, violist Nadia Sirota shares her unique perspective on upcoming events, recent recordings and yet-to-be-fêted collaborations with an enthusiastic nod to their antecedents. Always game for discovery and dialogue, she shares the fruits of her travels with the musically curious.

Latest Episodes and Articles

Video Made The Radio Star

Monday, May 21, 2012

A child of the MTV generation, music and video will forever be tied together for Nadia Sirota. This week on her show, a look at pieces that have either been adapted visually or incorporate a visual element in performance.

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Q2 Music Spring Pledge Drive

Monday, May 14, 2012

It’s that time again! Tuesday marks the beginning of our Spring pledge drive. As you’ve probably noticed, we’re making some pretty rad changes over here at Q2. We’ve brought you more hosts, more weekly programs, more live events, more streaming albums and more mobile listening, and we’d LOVE to continue this rad trajectory, but we simply cannot do this without your help!

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Lousy With Microtones

Monday, May 07, 2012

Yep, it’s that time again! Time to explore the placed between notes, the tunings that have existed on earth before we even existed, the non-Western-oriented, and the just plain weird. This week, my show will be lousy with microtones!

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On Language

Monday, April 30, 2012

One of the more provocative concepts introduced to me by a music teacher in my youth had to do with the Hungarian language and accent patterns in the music of Bartok. This week we consider whether a composer's spoken language affects his/her musical language.

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From Massive to Miniscule

Monday, April 23, 2012

This week we'll make our way through some stunning organ works, focusing on its ability to produce sounds massive and miniscule. There will be Messiaen, obviously, but also David Lang and Nico Muhly and a ton of surprises. Tune in and crank up the subs for the earth-shaking organ!

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A Massive Can of Worms

Monday, April 16, 2012

How do we get pieces which translate so beautifully from stage to audience member to translate as comprehensibly to the intimacy of recorded media? This week, I play pieces that are not only musically well-suited to the radio, but are recorded in a way that suits the format as well.

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